1. The actor Jean-Louis Trintignant is the old judge in Kieslowski's red, white and blue, as well as the old man in Haneke's love, and Hou The man who later took the kids on the beach in McDodd's story "One Night at the Mauds";
2. Anouk Aimee, she was with these great names, Eight and a Half, Zoom and La Dolce Vita;
3. Pirre Barouh, actor, singer, screenwriter, the chanson in this film was sung by him, at that time, he chords with Anuk Ai Meichen Se, it was the first year of marriage, and the marriage lasted from 66 to 69 year. At the same time, the boyfriend narrated by Ann in the movie came back from Brazil and sang chansons for a whole week, which is the real story of Pierre, and the person who sang for him is also himself. It is a pity that the old man passed away 12 days ago;
4. The soundtrack is Lai, and the OST of the movie with the same name can be found on NetEase Cloud
; The overall style of the film and the conception of symbolic images in different parts are mostly due to insufficient funds and he said frankly, "The heroine has worked with Fellini, will she think we are too crude?" At that time, Fellini in the Rome Cinema City never had to worry about funding issues. Italian films of that era were similar to the Chinese film industry in the red sorghum and loess era, and they could spend a lot of money in order to achieve success);
it is easy to see that it is very good to ignore various rhythms The flashback (just when the audience is a little awkward and suspicious, when listening to the song in the car is almost embarrassing, and when the latter holds Ann's hand in the car and the latter's eyebrows are lowered and the smile is no longer) Let's introduce the pain they experienced. The script is very simple. A widowed man and woman with a child used the child as an opportunity to meet and fall in love. But a good work is that even if you summarize it extremely concisely, it is only a glimpse of the leopard, and the wise audience will throw away the second-hand experience brought by your film review or disclosure, and work together with the artist to complete this work.
This is a meaningful film, that is, with deep meaning. If it had finished 20 minutes before the end of the film, it would have been a standard American love affair with European editing and photography in the 1960s. In the last 20 minutes or so, Le Rouchémau had a free sex scene, remixed different clips of Ann and her husband, detached and fancied in the enjoyment and sex; the two who left, in the elevator The lustful words in the room were still there, followed by a kiss that stopped in mid-air, and then leaned back and retracted. On the train platform, those two famous sentences, "All good Sundays have no good end" and "Only a madman refuses happiness". The rest is the resounding HE. If you press the button, I want to focus on the random thoughts on the platform.
After that, let Louis say, what would I have done if I had the chance, I am very familiar with it. The King of Sunglasses borrowed Liang Chaowei to say in "In the Mood for Love", "If there is one more ticket, will you go with me", Le Roouche didn't stop here, so we saw the embrace and freeze at the transfer station.
Even as an active pessimist and hedonist, I still don't think "only a lunatic would refuse happiness". On the contrary, everyone instinctively rejects and fears happiness, and among those who achieve happiness, the brave ones are much more than the lucky ones. I talked to more than one girlfriend, and at most I liked Li Zongsheng's sentence, "It doesn't matter if a woman wears makeup and tears," but Lin Xi, I love the words he wrote, because he can feel that he is Yesterday and later, he said fiercely, "Those who can breathe can't stay by their side." After meeting that person, he also murmured, "Maybe from now on, I will learn to cherish the sky and the earth." People are nothing more than this, they are discouraged and go away, the fire is burning.
I reject all pretense and deliberately strong: a former Iranian roommate and I smoked on the balcony together, I told him that I often hate men who are deliberately strong to show masculinity, no matter how hard the stone is, there will still be cracks after the wind and the wipers are wiped. , Not to mention a man, and Shishi candidly discloses the wound, but the man hides it carefully for fear of being discovered, which is really ridiculous. Being reserved and frank is what I think is the most comfortable gesture when I get along with and love someone I love. The big guys are all raised by their father's mother, so no one has to rush to find someone, and they don't have to be secretive. Everyone is human, with different emotions and six desires. Hold your fart in your stomach and explode" (taken from the secret Arashi share house Mika Nakajima).
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