The 1000th film chose Moore's nominated film, which I love. This director seems to love making taboo relationships in the 40s and 50s. Maybe fifteen years from now, this film will be criticized for femininity and smearing of LGBT people because of gender and race. Caused an emotional gap, both innate and acquired, after eliminating the eyes of the people around them, it seems that the director does not want to discuss responsibilities, but just wants to show the different handling methods of men and women in love relationships. I think of the two in the director's latest work "CAROL". A woman finally chooses what she loves. I don't know if it's a compensation from the director for the film after many years. Moore is wearing a beautiful, huge tutu skirt and bright high heels. There are very few such noble lady roles. The few explosive scenes are also exaggerated like a stage play. They are not the same as many middle-class women I have seen her play. She is soft-spoken, gentle and considerate, and she is always on guard because of the indignity at home. The performance on the tightrope is really sympathetic
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