A film that spanned my 2016-2017 years, and I was facing the world alone at this particular point in time and doing things at my own risk was the consequence. When I think about it now, the biggest shock to me in the whole movie is actually the last segment: the little girl asked for a momentary stay in front of the gods, threw herself in the arms of her father and mother, and poured out her heart and feelings for this land. Nostalgia, even if it is a cruel and terrifying rule that suppresses nature, even if it is a human relationship that is intertwined... I thought she was going to keep talking, at least until she was done saying what she wanted to say. A few seconds later, she saw that the messenger took the clothes and draped it over her body. Before she finished speaking, she lost all memory. And the short pause I thought was the few seconds when the gods ordered the messenger to directly execute the order. There is no reason, there is no need to hesitate, when should you go, you can't miss a moment. And dreams are often like the foreshadowing of the gods, the thoughts in the heart, and the unspeakable desires. The two dreams in the film are her freest appearances. I don’t want to be judged by others while sitting alone behind the curtains, and I don’t want to let my marriage depend on the rules of the world. The first time she left, she ran in a daze and saw the old place where things were different; the second time she left, she saw brother Shewan, but she could not escape the fate of separation. I don't believe that those two times were just dreams, because there was a elf lingering beside her in the snow, and because there was She Wan sleeping in the grass. The gods showed the worst and warned them not to break the rules. Fortunately, they obeyed. Therefore, Hui Yao did not leave in front of She Wan, did not see She Wan's wife and son, and did not fall into the snow with unpredictable life and death. We know how cruel it is when we meet on Queqiao once a year, and what kind of decision it takes to let go alone due to reality, and we know that living is the fundamental basis for her "life" that she has been thinking about all the time. how things will be. The two dreams were actually the greatest kindness of the gods. It is the rule of the feudal society that the monarch, the monarch, the minister and the minister belong to each other. Standing on the king's land, within the capital, how can one act recklessly. One or two rejections made the emperor feel fresh, but after several times, there would be no warmth at all. I originally thought that the five royal relatives were a little ridiculous and cute, but when they arrived at the Emperor's place, they were terrifying. It's rude to deserve it, all it takes is unshakable power. Fortunately, Hui Yao is an ordinary girl, she is gone, and the emperor will stop looking for someone soon. She doesn't have to sacrifice herself to save her family. And She Wan, who made a living by logging, could not get the brilliance of a bright pearl after all. I once read an author commenting on the fact that Mrs. Xi, who was a thousand years ago, finally remarried the King of Chu, saying that "if a beautiful woman is not a hero to match, she will only end up with a bad life in the end". This sentence is too cruel, but too realistic. Rules are always placed on the shackles of people's heads. In the past, the bet on life was, but now, the price has only become smaller. In the movie, how many times I thought she would just let go, obey fate, obey the rules. But how many times I saw her smiling face like a baby. "Birds, insects and beasts, grass, trees and flowers, with spring, summer, autumn and winter are coming, with spring, summer, autumn and winter are coming!
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