I actually shed tears in an absurd film.
The first half looked impatient. I don't like Kafka, I don't like absurd dramas, I don't like so many mapping metaphors, and I don't like that rambunctious comedy.
Ishigaki thinks about killing his wife every day. His home is like a magic garden. Every time he killed his wife in various ways, buried it, and returned home, he would find her there well, making a huge table of food, forcing him to eat the hills of fried eggs, beef and whole cups of sugar. Coffee, and then, smack him again.
Shawl-length hair, thin and handsome face, dull eyes, Asano Tadanobu's trademark neurotic and perverted sense of youth.
Hashimoto Reika doesn't say a word throughout the movie. Like a blow-up doll, doll, dummy, delicate face, ghostly.
After numerous failures, the collapsed Ishigaki went to the murder company.
Yoko, the advertising designer, is engrossed in her work. Her lover hypnotist Aoyama mocks her body odor.
Office worker Kobayashi's family, beautiful daughter and son of Shota. They went to see Aoyama's performance, and Kobayashi was hypnotized into a bird.
Aoyama was killed by a foreign killer hired by a murder company hired by Yoko at a high price. Xiaolin will always be a "bird".
The career of three thieves in hip-hop and laughing. The ugly one likes the handsome J. They entered Xiaolin's house to steal. The ugly man wears a necklace with the letter "J". They hid in the closet. J dislikes the panicked eyes that have nowhere to hide.
Life goes on.
Yoko loses her tape recorder to record inspiration. She sprinted to find it, kept running and running, and ran until she didn't want it anymore.
The ugly man was in love with J in the sauna room, and J disliked it as usual. But when the ugly man angered the killer, it was J who rushed to stand in front of him. J said that he was GAY, and his charming eyes were fixed.
Kobayashi's wife and daughter are increasingly desperate as they wait for him to return to normal.
In art class, my son drew his father flying in the sky.
When the Christmas dinner was on the table, Dad watched the roast chicken horrified by the tragedy of "the same kind". The son rushed out, "There is nothing wrong with having a father bird."
His pure eyes and particularly calm tone.
He took Daddy Bird to the grassy slope to practice flying.
If dad is a bird, accept the pleasure of living with a bird dad and never eat bird meat and all feathered animals. Father and son roll on the grass laughing.
Ishigaki's magical home was turned into a Christmas garden by his wife.
He was accustomed to running away when she breathed fire, but she just lit a cigarette for him. He let out a small breath of smoke.
They eat together. This time, there was just a fried egg and coffee with just a spoonful of sugar. Hashimoto Reika, who has changed countless looks, this time, is only wearing a very simple nightdress.
Ishigaki draws circles on the long trench coat he wears forever. So many circles, probably, every time he fails to kill his wife, he will draw one. This time, she took his pen, drew one, and painted her eyelashes.
At that moment, the years were so peaceful.
The killer who came to say goodbye, found the resurrection of Ishigaki's wife, and insisted on fighting again for honor. Ishigaki desperately stopped.
He pushed the killer out, closed the door, and looked for his wife everywhere. Surprise to find her standing at the end of the hallway. But when he ran past, she finally fell. This time, resurrection did not come.
Tadanobu Asano in the floral shirt is so pretty.
Especially very beautiful.
He took her to the woods again for burial. Gently cover the soil with your hands. (He used a shovel, a chainsaw, and all the corpses that he had rudely disposed of with all his strength, and disappeared again and again in fear.) And this time, he threw the ground one by one, gently, covering the soil with his hands.
He goes home.
He looks for every corner.
She didn't come back.
He returned to the forest, shoveled away the dirt, and when approached, he switched to using his hands, slicing away little by little, and the corpse was still there.
He took off the long trench coat that he always wore and drew countless circles to cover her.
He went to the murder company. Burned the "mission accomplished photo" of his wife's death. He walked to the window, smiled back, and jumped down.
At that moment, tears welled up.
The absurd drama that I don't like that much.
But Asano played Ishigaki so sad.
The helpless, helpless man who always wanted to get rid of his fears tried his best to lose her when he wanted to keep her.
After a long and hopeless search, he looked back and smiled.
Amazing sadness -
Kobayashi turned into a birdman, and finally learned to fly. He caught the stone wall that jumped down from the tall building and flew. Fly over the once magical home of Ishigaki, over Yoko on the way to work, over Aoyama in a wheelchair (when was he resurrected?), over this specious city.
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