Speaking of the great director Ridley Scott, there will be several films that are talked about and talked about, such as "Alien", such as "Gladiator", such as "Black Hawk Down", such as "Prometheus". . . . . Then I heard that the son inherited his father's business, and the director's son Luke Scott also made a movie, called "Morgan". "Morgan," a low-budget sci-fi horror film, appears to be Ridley Scott's exercise in helping his son hone his filmmaking skills. The film tells the story of a company's risk management consultant, who is sent to a secret laboratory to evaluate an "artificial man" (from Dante, the concept of this man-made man haunts the human mind like a nightmare) and finally decides The story of whether to get rid of this person. In the course of the investigation, this "person" brought endless trouble. From the perspective of the story, the pattern of the film is somewhat similar to last year's popular sci-fi film "Ex Machina". But it's not even worse than "Ex Machina". The film's heroine, Kate Mara, became popular because of the popular American drama "House of Cards". A top-notch enterprise analytics solution specialist (Kate Mara) is dispatched to a remote and top-secret location to investigate a horrific accident, and she discovers that the whole horrific incident was actually carried out by a man. Created by a seemingly harmless "person", will this "person" bring infinite hope or the beginning of a horrible nightmare? This mysterious "person" is Morgan, Bioengineering organisms created from synthetic DNA is the next step in human evolution. At one month old, she (it) was walking and talking; at six months old, she had far exceeded her creator's expectations. Magic is mysterious and unpredictable—a laboratory-created creature with emotional expression and conflicting properties that blurs the lines between humans and androids. But what if the creature created transcends the creator himself? In the face of this genetic engineering marvel, people have far underestimated its evolutionary capabilities. Here, the film is still step-by-step, even warm. Although there is a plot where Morgan stabbed a staff member blind, it is more like a child who made a mistake, but what the hell is the sudden massacre? Unreasonable, unconvincing, and full of flaws. Whether it's the human side or the artificial human side, they're a complete mess! The inability to turn around in the plot leaves the audience at a loss, so they can only watch this awkwardly. However, the so-called twist at the end was really a failure. I just want to remind little Luke that your film is called "Morgan", not "Alien". There is no spoiler for this ending, and everyone has to watch it to know how bad it is. But one of Morgan's creators in the film is Michelle Yeoh. This stalk always makes people laugh. Watching Morgan call Michelle Yeoh Mama and speak Chinese with Michelle Yeoh in a serious manner is a very pleasant thing, and it's not bad. At least the Chinese can understand such Nanpu. Nowadays, American movies are more and more heavy on Chinese-speaking plots. As long as the Chinese-speaking characters are basically killed, or they are evil, I still remember Xiaoqiang bravely marching into China in "24 Hours" The embassy, and then grabbed a flat-headed Asian man who ran up to the building and behind the horse. The man who spoke Chinese was really outrageous. Basically, Chinese and American audiences don't know what Ya is talking about without reading the subtitles. In today's movies, at least speaking in Chinese, it's not so funny anymore. The spoiler is here, the label of this movie is not even a sci-fi movie, but a thriller, but like us sci-fi fans, we would rather treat it as a sci-fi movie. Recommend the work of the director Lux Skola: "Morgan". In the face of his father, he just watched it. "Morgan". In the face of his father, he just watched it. "Morgan". In the face of his father, he just watched it.
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