Lasting 29 minutes, shot in black and white and consisting almost entirely of still photographs – imaginatively blended with dissolves, wipes and fades – this is the bare bones of science fiction. It highlights why we are attracted to SF in the first place: not for bug-eyed aliens or galaxy-hopping spaceships, but for the way in which the form can twist our most cherished versions of reality inside out.
This, then, is the subject matter of La Jetée, a minimalist masterpiece affording us an all-too-rare glimpse at the paradoxes and complexities of perception and the subconscious.
----Simon Sellars • Oct 7th, 2005
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