i love you, nothing to do with you

Brandon 2022-03-26 09:01:09

Because it's a fan of Fasha, I watched it with my friends. When I watched it, I didn't feel much. After all, I was just licking my face, and the right to collect the material for editing. After watching it, I had a lot of emotions.


As a competent shark beauty fan (please allow me to say Shamei Dafa is a good thing), when I saw Xiaoshou male protagonist, I filled my brain with the beauty of the prosperous beauty, and turned on the function of automatic substitution ( Well, forgive my incompetence for the Yan acceptance of the little male protagonist).


In fact, when I watched half of the whole drama, I still didn't understand the situation, probably just licking the male god. . As my friend said, I can't see what contributed to the transformation of the bounty hunter played by Fa Shao, from a robber who kills only for money to a knight who is willing to take risks to protect the male protagonist, as the introduction said. Is one thought to become a Buddha and one thought to be a devil? Of course, fans must state that this is not a problem with my shark's acting skills, but the script seems to give people a very hasty feeling.


What did the male protagonist of Xiaoshou do to impress the male protagonist of the hunter, and even deserve him to escort him to life and death? The male protagonist of Xiaoshou escaped inexplicably, met people inexplicably, and was inexplicably packed by a wandering writer who looked very literary while he was asleep, leaving only a blanket and a raw egg, and then a bloody bridge. Duan is here, the hunter male protagonist helped him to get his things back and came back to rescue Xiaoshou male protagonist. Seeing this, I kept thinking that the hunter male protagonist is very good-natured. If it was changed to me, I would take a bite and then consider whether to save this issue.


The male protagonist is lying on the ground and facing a mushroom drooling. The back shot is a mess, and when he looks up, there is a Fa shark holding two horses. Behind it is a pure and washable sky, literary and romantic, with a touch of The meaning of a hero saving beauty makes people cry, and often those who look the most unreliable are the most reliable.


In the movie, our Xiaoshou male protagonist travels thousands of miles to find his lover, and lives and dies, but his interaction with the female protagonist is pitiful, and there are not as many sparks between the two male protagonists. I am curious about what supports Xiaoshou. The male protagonist moved forward bravely. The heroine doesn't seem to have much attachment to the heroine Xiaoshou. In contrast, she yearns for a comfortable life. And the male protagonist does not necessarily love the female protagonist very much. Maybe the male protagonist has always been thinking more about love itself rather than a specific person. The female protagonist is just a specific carrier of his romantic love. Just like a poet saw a rose, he felt inspired and wrote a poem that was handed down from generation to generation. There is a lot of space in the poem to praise the rose, but what he loves is only the poetry.


In the end, I laughed and cried when I saw the ending. My friend said that this is the most stupid and sad male protagonist in history, no one. The director played a good hand of black humor, and there are only three words to describe the ending → "WTF", the director is telling us that love is just a self-directed and self-acted daydream, does I love you have nothing to do with you? I've been in a thousand and one rounds of life and death, but you are "two dollars, you only need two dollars for everything, two dollars can't buy you a disadvantage, two dollars can't buy you a fool..."


Apart from these analyses, the pictures in the movie It is really beautiful, soft light, clean picture, quiet slow-paced life.

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Extended Reading

Slow West quotes

  • Jay Cavendish: [gazing up at the sky] Same stars, same moon... One day we'll be wanderin' 'round that moon. They'll build a railroad. A railroad up and down the ways. A railroad to the moon. And when we get there... the first thing we'll do... is hunt the natives down.

    Silas Selleck: No Indians on the moon.

    Jay Cavendish: No, the natives of the moon. The moon people.

  • Shop Keeper: [offering a bottle] Whiskey?

    Silas Selleck: [no] Got any meat?

    Shop Keeper: I got condemned bacon. Traded it for bullets. Both'll kill you pretty quick.

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