Never underestimate the power of hatred. Love gives strength to people, and this strength is always flowing. Hatred is different, it seems to be a shortcut to gain power, just like the side-tracking in Xiuxian novels, "demonize" oneself for quick success. This kind of power comes and goes quickly. If it weren't for a deep blood feud, who could hold a grudge against a person for a long time? But if it is really deep hatred, it is another matter.
Chandner, the "brain fan" in this film, has been chasing his idol, Aliye Kanna, all his life, imitating Aliye is his life, and it is also his painstaking career. Because he looks so similar to Aliye, he even compares himself to "the extra clay that God created when Aliye was created." For him, Aliye is no longer just an idol. He regards Kanna as a kind of belief and binds it to the shrine like a god. He wasn't Don Quixote who had gone mad for his imaginary mistress all his life, he felt like a Templar defending the majesty of religion, who would come forward and fight him to the end if anyone dared to speak ill of Aliyekhana. If this kind of thing happens to a believer, we call him a religious fanatic, and if it is placed on a groupie, it is the so-called "brain fan"!
To put it simply, India, with thousands of years of civilization, is the hardest hit area by religious fanaticism. Here, the poison of caste ranking has lasted for thousands of years. After India entered a modern democratic society, it is still openly "walking birds" in broad daylight. Here, the intolerance between sects is no less than that of the Western society described by Fang Long. The bloody conflict between Hinduism and Islam is commonplace in India, and as a minority of Buddhists, they have to endure humiliation and sacrifice. It must be no different from the little daughter-in-law of the old society. Two years ago, Bollywood movies were all about singing and dancing, whitewashing peace, and the plot was nothing more than an introduction to how handsome guys and beautiful girls went from acquaintance to falling in love, tormented by lovesickness, coupled with some unique Indian-style landscapes and perfunctory things. . The content of these films is empty, the plot is boring, and the focus is the endless background music of Asan and the endless Indian dance. However, in the past two years, Indian films have made great breakthroughs. A large number of young handsome people have emerged, and they have shot a series of masterpieces that directly attack the key points of religion and reveal the dark side of the caste system. The previous "Oudi God" is one of them. .
The film is titled "Brainless Fans", and it is also a story of a star chaser who loves and hates. The hot phenomenon of stars, but I really think deeply that under the unique national conditions of India, the object of this film to be satirized is probably not just a simple brain fan. The director is naturally a drunkard, not drinking, but in the film, fans and stars chase and fight, fall in love and kill each other, isn't it a unique "pointing to the sang and scolding the locust"? So, when Asan's films have begun to pierce the veil of dark reality, "beating" the absurd caste system and unfair distribution of wealth, what are the domestic films of my great dynasty doing? The Chinese film industry, which has also produced many talents, is under the drive of the wise and great martial arts, and what kind of "magical works" are they shooting repeatedly? I dare say that if we continue to maintain this rhythm of suicide, then in five or ten years from now, there will be no place for Chinese films in the Asian film industry.
Back to the story of our brainless fan, Chandner, when Aliye "betrayed" him to the police, looked down upon and even dismissed all his efforts, his world collapsed, and the film by Aliye Yeah, the spiritual world, which was supported by a pillar, collapsed in an instant. For him, Kanna, who was as tall and mighty as a god, turned his back on him, mixed him and his life into a ball, and threw it into the trash can. Deep in love, and deep in hatred, because of love and hatred, Chandner embarked on the road of no return by unscrupulous revenge. Many viewers may feel that the film has become abnormally buggy from here on out. Chandner, who was originally useless, seems to have been reborn overnight and became a strong and scheming Jason Bourne. He Zhang Ji set up traps, like a divine help. When Aliye went to London, he ordered "rat poison", and when Aliye went to Croatia, he put a "mouse trap" again, Kanna was a big star, sitting on a family of billions, and kept a large group of bodyguards. It was too unreasonable to be fooled around by him. And the Hollywood-style chase scenes in the second half of the film are too flashy and unreal, which is out of tune with the critical reality tone created in the first half of the film.
First of all, I want to emphasize what I said at the beginning, never underestimate the power of revenge. Looking back on your past life, I believe you will find that when you hate a person, you can easily come up with thousands of vicious means to torture him, but when you fall in love with a girl, you may not be able to come up with one. Thousands of ways to please her. Hatred can turn any man into a ruthless Monte Cristo, but not every man in love can be as affectionate as Romeo, talented enough to say a lot of words that don't even believe in ghosts. Secondly, although it is easy for a big man to run over a small person to death, it is not difficult for a brainless fan to always take the lead and grasp the whereabouts of a big star. As a public figure, many of the privacy that should belong to him have been deprived. The paparazzi fighting in a "swarm" style share the first-hand resources of all the big names in the dog ring, making the big names have nowhere to escape. shape, as if naked. Thirdly, I don't think it's unreasonable, but rather subtle, for Chandner's posing as Aliye to cause trouble, deceive the public and the police again and again, and push Khanna into the abyss. It is not too easy for an "acting school" who came from an imitation show champion to fool the general public who have never seen the deity. I don’t know if you still remember the news two years ago. The old stick who pretended to be Uncle Bird cheated food and drink in Cannes. Even many celebrities were stunned by him. He even posted on Weibo with fake birds. Uncle's photo. Then there are the British police who are fooling the white rice - it's not that I have a problem with the British, but based on the monitoring of the AV quality in daily life, it is good to be able to distinguish between males and females. A star's "reciprocal offender", it is really difficult for Shu Dao, and it is difficult to get to the sky. Of course, the British, whether Hollywood or Bollywood, like to make fun of them, who makes their queen look kind and bullying. Finally, for friends who are disgusted with "rooftop chases", "speeding catwalks", "rooftop fights" and "jumping into the sea to escape" and blindly appealing for realism, I can only say, go home and watch the documentary, brother, the cinema is not the place you should come. Make a movie, who cares if it’s not dramatic, I’m not saying that it’s wrong to be picky, I don’t think it’s hairy, and it’s not about flaws, it’s just looking for trouble and tossing.
The author didn't like watching Indian films before, because I really couldn't accept the way of filming that the three people played music regardless of size, and danced when there was something. Fortunately, it was the first time I went to the cinema to watch an Asan movie. It was a movie that had no songs or dances, and got rid of the bad taste. The filming was so profound and thought-provoking. Dianping.com deducted the special ticket of 4.9 yuan from the coupon. It's really a lot of money with profit. If you want to rate this film, Samsung is too aggrieved for the actor who played two roles and played a fine actor, but to give it four stars seems to be a little too flattering. However, as a three-star movie, it can give up the usual song and dance routine with the determination of a strong man to break his wrist, and ingeniously designed this somewhat unexpected ending. I will give you a four-star award here, don't be proud.
PS: I don’t think Kanna did anything wrong from the beginning to the end, and I don’t think he should apologize, but if you have to say that saving a life is better than building a seven-level Buddha, then this kind of moral stick is on my head. There is not much to say.
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