Fitz is not so old, and in the dual sense of temperament and image, there is no elf's aura.
In general, Haiye's appearance is short anyway, and his face is okay, but Haiye's aura is actually a bit "introverted", and it's a little loose in the movie. (But Hai Ye's appearance is very tasteless. What does the director want to explain? Do you want to play with Hai Fei? Or is it to show that "I seem to be able to live well without you, but I still miss you very much"???
Uncle Face Laughing at the sunshine a little bit, the temperament should be a little tighter, the picture of kissing his wife at home is too weird, the Perkins father in my impression is not so
open It's a failure. The subtle and subtle points between Wopper are all for... Narrative? It's like an open chrysanthemum (not me, the four-person meal is too weird... Writer, you really can Be a little bit more restrained ((I remember that Wolfe broke up with Bourne before and after the publication of "Angel, Hometown" = =) and the American southern accent was too hard (.) It really scared me when I opened my mouth. Light.
Speaking of Wopper, I shed many tears when I read Wolff's letter to Perkins. That kind of affectionate feeling that I wanted to talk about but didn't express was all ruined by the film's vernacular adaptation. The original plot of the railway station "confession" is as follows:
[In Wolfe's diary, there is a torn piece of paper, which was never sent to Perkins, on which was written "In my life, before I met you, a friend Neither”]
and Wolff’s letter before his death, in fact, Perkins wrote back
[“I am very happy to hear from you,” Max replied to Tom in Seattle on August 19, “but Don't write any more. This one is enough and I will cherish forever. I also remember it was a magical night overlooking the city. I've always wanted to go back there and see, but maybe it's better not to go , because things are always different the second time around.]
In general, the failure of Wolff's character is the double responsibility of the screenwriter and Qiu Hua. Qiu Hua didn't jump out of the "wind and wanderer" routine at all. I can't tell whether this is a "genius catcher" or "genius Ripley". ", or "Wilde" (.) The writing/acting is too extroverted, and the sensitive temperament of an outsider in the identity of the writer is completely invisible. My angel just fell down with a pia and became a sticker. The jazz age, the handsome boy who has nothing to make loud noises, is flirtatious, and has no polite label = = The interpretation of the Wopper relationship is all inexplicable. The part of the magnetic tension between the geniuses is all overdone, or exaggerated and untrue. Extremely disappointed (((Like a rose standing proudly in the snow, it banged into an inconspicuous and featureless little daisy covered in ashes on the side of the road.
The whole narrative water cannot escape the routine of "biographical film" : Cold Yellow Tone, Lover's Quarrel, SadEnding
So, loyal to my sugar daddy and the three angels, loyal to the two actors I love, I really have to say that this movie is too disappointing, bad and boring.
Bu ~~~~t! If there are people who like Wopper because of the movie, please read the original book "Genius Editor", the translation is great and the framing is also very careful. If there are people who like Shanghai Fei (who will notice) Please read "Flowing Feast", we Hai Fei are also very cute. If you like Wolff's solo, please read "Angel, Looking at Hometown" translated by Qiao Zhigao ^ ^ (and "An American Novelist" "The Autobiography" is also very cute, our Wo is really cute woo woo woo woo)
Okay, I'm done... I hope the movie of the Fitz couple can be made well in the future (praying)
#LongLive20s!
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