The story is from Canada Moving to Spain, I don't think it's a bad thing. First, the temperament of the two heroines is in line with psychological expectations (the middle-aged Julieta is better, although I think the younger version is very beautiful, but the former exudes a more deserted and slightly disturbed atmosphere). Second, the story has a high degree of reduction, and the narrative is more concise than I expected. Personally, I feel that the 90 minutes are well allocated and controlled. Converting literature into a movie must require a layer of filtering and packaging. This movie is well done, so it is highly recommended for fans of the original to watch.
It's just that the film's expressiveness doesn't seem to penetrate my heart enough. Monroe's writing spreads his emotions with his delicate observations of life, and euphemistically describes the ingenuity and turbulence of fate. The film is dominated by the relaxation of the story, with selected soundtracks (it was chosen to add to the suspenseful atmosphere, but not against harmony), and powerful pictures (unfortunately, the meaning of the scene where the scarf was lifted, I only read other reviews. Suddenly realized), the self-narration of the narrator is clear emotional orientation: the unexpected separation of life and the time-limited and eternal pain it brings; emotional support, acquisition and escape. But I guess if I hadn't read the original book, I would have lost patience and interest in such a bland story as the movie.
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