White roses and red roses, bright moonlight and cinnabar moles

Oswaldo 2022-03-28 09:01:07

"Dear Bobby, it's raining today. It's beautiful, but it's also sad. That's the bitterness of life," Leonard said. Not only do we have to embrace the meaninglessness of life, but also because of the meaninglessness of life And accepting life. It's too deep for me. But mom often put it in short. Live every day as if it were the last. One day, you'll find out, you're doing it right."

Wu Dee Allen is a special director.

There was a different aura about him.

Perhaps it is because of his maverick, different from Hollywood's distinctive temperament, that the French, who have always sneered at Hollywood, especially preferred him.

The pace of the movie is steady.

In no hurry.

Woody Allen tells the stories that happened in the maddened, illusory Hollywood and bustling New York in a slow and unhurried rhythm.

His handling of details and plots is also very restrained, and there are no particularly big contradictions and conflicts.

He also scoffs at this false and illusory way of life.

Although the background of the story is prosperous and lively.

But the story seems to take place in any city, in any familiar scene.

I'm thinking of using my own words to superficially express a little bit of my own movie viewing experience.

After much deliberation, it turns out that Eileen Chang has seen through everything long ago, and a famous saying has been passed down for a long time.

Marry a red rose, and over time, the red rose will become a smear of mosquito blood on the wall, and the white rose is still "the moonlight in front of the bed"; if you marry a white rose, the white rose will be a grain of rice dregs on your clothes, and the red one will still be your heart. A cinnabar mole on it.

After thinking about it, I feel that this sentence is so concise and comprehensive that the core of the story is expressed in a few words.

Woody Allen deliberately hides the turbulent undercurrent hidden under the plain life, showing the plain appearance of life.

The end of the movie.

In the lively and joyful New Year's greetings, Bobby's eyes were empty and lost, he was thinking of people far away.

Vassie did the same.

Not in a city, not in a place.

But their eyes looked at each other, as if they saw each other.

Woody Allen deliberately stopped here.

Life has false lies, rapids, deceit, falsehoods, illusions and mists that we cannot see clearly.

No matter how vigorous, flashy, passionate and romantic it was.

In the end, it is always attributed to the trivial daily life of firewood, rice, oil and salt.

In the end, maybe you become the kind of person you once hated or despised.

"Time is passing, life continues, and people change." In the

end, it will be flat.

But the heart is always in turmoil.

This is the cruel truth of life.

Live, live, and live.

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Extended Reading
  • Nelda 2022-03-23 09:02:32

    #supplement3.5 Woody Allen made another film of the radio era, the difference is that this time it is not too distracting - beautiful characters, exquisite scenery, in the fast-moving narrative rhythm without breathing, there are still only kind The feeling of staying on the surface. The era in "Nothing" was personally experienced by Woody Allen. Although it was poor, turbulent, and full of quarrels, it was plated with gold of memories; this golden era is more of an imagination, illusory in the air

  • Athena 2022-01-04 08:02:15

    #19th SIFF# Who did TMD say that this film is rushing to the street... The premiere evaluation is generally probably because the plot of the film is rather loose, and it has a jazz structure, which can be regarded as plot-oriented [years of voice]. It's a story of one's own NTR, and it is a coincidence of information asymmetry. The Tale of Two Cities in New York and Hollywood does not end with the big reversal that the audience expected, but it brings a kind of helplessness that "life is a comedy, but the playwright is a sadist".

Café Society quotes

  • Rose Dorfman: First a murderer, and now a Christian!

  • Rose Dorfman: First a murderer, then he becomes a Christian. What did I do to deserve this? Which is worse?

    Marty Dorfman: He explained it to you. The Jews don't have an afterlife.

    Rose Dorfman: We are all afraid of dying, Marty! But we don't give up the religion we are born into.

    Marty Dorfman: I'm not afraid to die.

    Rose Dorfman: You're too stupid to appreciate the implications.

    Marty Dorfman: I didn't say I like the idea. And I will resist death with everything I have. But when the Angel of Death comes to cut me down, I'll go. I'll protest. I'll curse. You hear me? I will go under protest.

    Rose Dorfman: Protest to who? What the hell are you gonna do? Write a letter to the Times?

    Marty Dorfman: I will protest in silence.