Acheng's prose collection "Culture is not MSG". I checked this strange name on the Internet and found this award-winning movie. In making "literary" films, I remind myself to pay attention to every shot change, so as not to be fooled by the director, until Ismail (son) watched his mother cheating through a keyhole, and the camera turned to his son's eyes, instead of switching to the nakedness of two people on the bed, Just like the car accident was not filmed at the beginning of the film, I seem to understand the director's intention. Maybe he is resisting the visual impact, resisting the prying eyes of the process, resisting the image thinking that was ruined by the commercial blockbuster, and letting the audience think by canceling the process. Think about the causes and effects of life instead of staying in the fresh and exciting process.
The father took the blame for the boss and served 9 months in prison. The son went to see him three times (two times in the film), and the wife was afraid that she had never been there. The son didn't go to college, he was unemployed, and wanted to buy a car. He asked his mother to ask the boss for money. The boss fell in love with this woman and promised to give the money. The father is released from prison, the family relationship is tense, the woman and the man ignore each other in the cold war, until the son kills the boss, the plot reaches a climax, the woman pretends to commit suicide, the man seems to be taking the blame for the son, and a turning point points to the second culpable deal: the man Find a homeless coffee shop guy and tell him winter is coming and it's warm in prison.
Victims and those in power can change at any time. In the face of the weak, you must calmly pay attention, and don't be fooled by a certain part. Life is going on, and the persecution will never end. Only you are still alive.
2. Death
When people become numb to life, they start to miss their deceased relatives, as if this layer of "death" connection can give them the strength to live. The murderer in "Ten Commandments No. 2" has been remembering his death The sister of the car accident, there is also a dead "brother" in this film - the youngest son. The younger son appeared twice as an illusion, once in the eyes of the "elder brother" (the older brother accidentally discovered his mother's extramarital affair, slapped his mother a few times, stayed away from home for the night, visited his father in prison the next day, and returned home. When I got home, I was lying on the bed tired, and my brother who was drenched in water opened the door and walked in), once in my father's imagination (the boss died, the police station passed him and his wife as a confession, and the police told him that the last text message on the boss's mobile phone was The wife sent it, and asked him if he had seen them meet. He pierced his blindfold, making him have to admit the fact that his wife was cheating. When he got home, he lay on the bed and wept, a small hand stretched out from the back of his neck. ), specific thoughts of death give them emotional comfort, allowing them to continue living day after day. The mother didn't see the little son because she got joy in the boss and didn't need to numb herself with dead relatives.
3. Give the audience a basin of cold water
. The death of someone else is irrelevant, but a big or small accident or case.
The lives of others are nothing but cause and effect, forming a long or short storyline.
In fact, you don't care about other people's life and death. If you feel that the picture you want does not appear in the movie, from this point of view, Sheeran is hot. (Perhaps that's one reason why he won.)
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