They can't set the content of the photo, they can only take the photo the next day according to the photo they received. So there is no way to subjectively change the future or the present.
Until the end, the heroine tried and wrote a reminder, hoping that the previous day would avoid what happened after seeing it, but how could it change after a sleep, at most there is an extra set of parallel spaces. It's a bit far-fetched for the giant to write here, because the heroine's approach should actually be realized by herself that it is impossible. It has been very good before, and there are no obvious bugs, that is, whether they actively cooperate or passively happen to happen, they are all in chronological order, and there are no flashbacks or retrospectives. The entire script is written as the timeline events of their group of parallel spaces. .
Talking about a bug that was discovered, the heroine finally confessed to her boyfriend that the first time she entered the room on the first morning, she found a photo on the machine. Walking Day Photos". but. . . This photo should be on the ground, and the photo on the machine should be the photo taken at 8 o'clock last night when the hanger turned over this evening, because the photo at 8 o'clock last night was the last to come out, and the photo at 8 o'clock in the daytime yesterday should be topped off. But there is no show in the movie that the heroine picked up this photo from the ground, but took it from the machine, and the lines also said that it was taken from the machine. Again, this time the machine should be a photo of the hanger turned over. . . But when she followed the instructions to hide the photos of the day and took the two male protagonists to the room, what her boyfriend found on the machine was the photo of the clothes rack turned over that night.
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