Rolle, a delivery worker, is carefree. His behavior in the professor's lab made him seem reckless, and his conversation with Lucy at the door made him think he was cynical and didn't like people better than him at all. In fact, he just had a crush on Lucy and didn't want others to see through his heart. Despite the inner pride and sullen face, he sincerely praised Lucy's performance. Protect Ferranca with Lucy and others, and stand up when Lucy is in danger.
Lucy, at first, you will feel that she is too proud and too proud. The conversation with Rolle at the beginning also made people feel that she was self-righteous and arrogant like a princess. But overcome fear in Ferranka's singing, the first to accept Ferranka. Take it into the locker room and dress up as an adult. She was not worried at all that its beautiful singing would steal her limelight, and she would protect it regardless of her own safety. When Rolle hesitantly confessed to her, he didn't wait for him to finish his sentence, and just threw out the sentence "I love you too", saving Rolle how much worry.
The little Emile, like Rolle, liked girls and dared not speak, and took a lot of courage to write a letter. Protect Ferranca with them, grab the police chief's pistol and give it up to save the beloved girl.
Rolle, Lucy, and Emil, although the three are different, they protect Ferranka together. Instead of judging Ferranka by its looks, see the fact that it never hurts.
In stark contrast, the police chief showed infinite love and adulation to Lucy, as if to hold her in his palm. But when she became a stumbling block for him to eliminate Ferranka, he acted rudely and rudely knocked open the door of her dressing room. While on the Eiffel Tower, she would have fallen in the Seine had it not been for Rolle's rescue.
He was obsessed with destroying Ferranca, in order to distract the public from the floods, and to increase his popularity to make it easier for him to participate in the election of the mayor of Paris. During the chase, the safety of the citizens and the property of the citizens were ignored. In the words of the play: the behavior of politicians, the monster that killed Paris.
To some extent, this is probably also a metaphor for reality. Although he has a suave appearance and a good social status, when he encounters something beneficial to him, his first reaction is to use any means to achieve the goal. Others, who are not so glamorous, are more able to make the right choice.
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