Not talking about the theme, just shooting and editing, it has been perfect.
The rhythm is very slow, but it is this kind of slow rhythm that allows people with big brains to have a lot of room for reverie, and the scenes that are constantly edited and edited are impressive: First, four people are sitting at the dining table, always only Three of them can be seen; the second is the male protagonist’s father singing and the female protagonist sits on the bed watching; the third is bowling and the female protagonist dances alone; The lens is really good, the picture is really good.
The heroine's big breasts and eye shadow are so beautiful.
Then feel free to talk about the understanding of a few problems that are not problems:
1. Why does the female lead like the male lead.
Probably only women can understand this kind of feeling, or I can't say that I understand the heroine's feelings, I just, I have had similar feelings myself. It is to fall in love with a stranger, someone who seems so hopeless/abnormal/unreliable/meaningless.
It's just because of a little thing that makes you think he's great.
Maybe eavesdropping on his phone.
Maybe because of a coin.
There was something glowing about him that only she could see.
Not sympathy.
The person who says sympathy is something you haven't experienced.
There is no accepted standard for what is good and what is bad, and we may all be attracted by what we lack.
2. Family.
It can be seen from the home segment that everyone's efforts to maintain the apparent peace are actually fraught family relationships. In fact, this also happens in every family, but the director amplifies and condenses it.
Even so, the male protagonist will still explain to the female protagonist to send photos to the family before going to a dead end.
The part where his father refused to sing showed that he had the same character as the male lead.
When the heroine told his parents an absurd love story, his mother was so engrossed in watching the ball that she didn't listen at all.
Oh, I don't mean to recap, it's just these episodes of the plot that make me chill.
now it's right.
3. The third ending.
To kill, or not to kill.
It was only in his memories that the male protagonist remembered that his goal was to kill the person who harmed him.
In fact, there is no way to verify the facts. This goal is more like an impulsive talk, but he is in such a confused situation that he cannot find the meaning of existence. The only thing he can do is to take revenge to end all this.
Even if he met her, he didn't care and left the room at two in the middle of the night.
Finally, kill the enemy, take back the picture, and start over.
In exchange for the kitsch reunion that the audience likes to see.
This is really a good idea.
The reality is indeed like this. Some so-called "ideals" can only be thought about in the brain forever. Then, life goes on.
This is the third ending other than yes or no.
View more about Buffalo '66 reviews
