Yes, the sturdy bougainvillea vines and the purple withered petals are particularly impressive.
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Alysa 2022-03-25 09:01:18
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Gideon 2022-03-14 14:12:26
Malik is becoming more and more willful in form. This time, he completely abandoned the narrative. Under the overlapping and collage of scenes of metropolis and wild nature, actors were thrown into it and let him play. Malik hid behind the still wide-angle camera, and relied on the misty narration and religious soundtrack to give the audience a mass. The never-changing connotation of the unity of man and nature, the father and son, this time has not been perfectly integrated with the fragmented form of abandoning the narrative.
Karl 2022-03-19 09:01:07
Whether it’s photography, soundtrack, narration, editing, or the same taste, compared to the upper part of "The Tree of Life", it is more grounded, with more similar ages and stories, and more big names. This time the photography used more super Wide angle. But I prefer the exquisiteness and sophistication of the previous one, the Harvard-Oxford double-study "philosophy" Malik, the film is really too stream of consciousness for some people, and I can understand completely leaving the scene angrily.
Elizabeth: You're so quiet. You keep everything to yourself. You have love in you. I know it. When I'm with you, I forget everything else.
Elizabeth: You're afraid you're making me break my vows. But the vows comes out of the love behind it. Love's so rare that when you find it you can't doubt it. Let it go.