Chinese culture is really broad and profound. These four words truly contain everything contained in the film.
You can say that "entering the house" means successfully entering someone else's family and becoming a member of it; it can also be said that it means entering someone else's home and getting out of it; it can also be said that it means entering someone else's life and successfully becoming him The master of the movie, entering the hall, entering the room, the movie contains these contents, which is really amazing. In contrast, the Hong Kong translation of "Stealing Love and Isolation Mom" is really vulgar, and it simply misleads the film into an erotic film.
Let's talk about the trailer, there are four versions of the trailer, France, Germany, Hong Kong and the United States. Among them, the contents of France, Germany and Hong Kong are the same, but the United States uses Xiangyan as a gimmick. You can re-watch these two very different trailers after watching the movie. Really find the trailer for the US version misleading a lot of people.
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This is a very interesting film that can blend with literature A good film, the film itself is full of artistic sense, and the integration of literature makes this film very romantic, such as the literary works that Mr. Gilman constantly recommended to Claude, such as the one that finally fell on Mr. Gilman's head The hardcover and thickened version of "Long Night Walk" is also like the poem Claude wrote to Raphael's mother, "Even with bare feet, the rain can't dance", as soft as France.
The film tells a story of coveting and being coveted. The reason why the movie is so attractive is because all the audiences have become Claude, and they all covet Raphael's family in his vision, and at the same time secretly covet Mr. Gilman's family. The film unfolds silently through Claude's writing, and slowly deepens the Raphael family through the combination of words and images. Claude is the pretender, and the audience sits and enjoys the coveted thrill.
It all started with a weekend essay arranged by Mr. Gilman, about Claude helping Raphael with his math lessons, an ordinary middle-class child, "What is an ordinary family like? "So Claude began his coveted journey. He fell in love with the middle-class mother Raphael, disturbed the relationship between Raphael and his son, and successfully integrated into their lives. However, things are not that simple at all.
"To be continued"
The last sentence of every weekend composition is "to be continued", and every "to be continued" is a piece of poison, waiting to find an antidote in the next paragraph of text. This poison made Mr. Gilman fall deeply into Go in, and even steal the exam papers in order for Claude to keep going to Raphael's house. In the second half of the film, you will find that there will also be shots of Mr. Gilman in Raphael's house, and Mr. Gilman even instructs Claude what to do. These are unreal shots, but they reflect Mr. Gilman's deep involvement in it and can't get out of it. He eventually divorced his wife and lost his job.
The film contains the virtual and the real (the suicide of little Raphael, the presence of Mr. Gilman), reason and emotion (Mr. Gilman is a typical example, he has been hovering on the edge of reason and emotion, when Claude plays around The Block), Literature and Art (the art exhibition of Flaubert, Cheho, Dickens, Mr. Gilman's wife mentioned in the film, the photography exhibition of Chinese artist Feng Tang), freedom and imprisonment (the school uniform says it all). The conflict in the film is thought provoking.
End
"To Be Continued" with the movie's most powerful line
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