The you in my memory is good, but the one around me is even better

Friedrich 2022-03-24 09:02:11

For now, the storyline is slightly biased towards Mary Sue. After her transformation, the person she liked at the beginning noticed her, and even a business genius fell in love with her. But unlike Mary Su's dog blood drama, the heroine doesn't look innocent like a white lotus, and the hero doesn't have an overbearing president.
Going to Paris to learn to cook was very poor in every way, and the kind old man could see at a glance that her feelings were not going well. Coupled with the environment and the guidance of others, her vision pattern is no longer comparable to that of the little girl back then. With the temperament, I learned to wear it, and I wore it elegantly, so David, who usually ignored her, noticed her at a glance but didn't recognize her.
The person who was as far away as the moon took the initiative to approach her, which was enough to make her happy to the sky. As David's brother, Linus and her sailed out to sea, went to see opera movies, ate and danced together. After getting along, I found a Linus who was different from usual: before he, with an umbrella briefcase, he was unsmiling, and a single decision led to a million-dollar business; but the real him has memories and love. , It is not that he only does business all day long, and he has questioned himself.
The day I tucked his hat, I met David and realized I might like Linus. She asked David to hug her and show her a better life in the future, all to drive the Linus out of her mind. She refuses a date with him, but finds herself not being self-indulgent. She has always been so brave, so she naturally spoke her mind.
What you can't get is the best, and that's how she feels for David. The memory left by the 9-year-old became a secret love in her heart. She watched his life from a distance, and in the days when she saw or did not see him, she felt that he was more beautiful. This is not really love. They didn't know each other deeply. At best, it was the sustenance of her first love. David is also a famous playboy, and her attraction to him is only on appearance.
Linus was different, they had a long talk, she knew his hidden side, and she changed her previous stereotype of him. The first time she entered his office, she was a lovely girl, and she gradually noticed other things in the later exchanges.
She's probably a little braver than Linus, and despite David's tucked in, she's brave enough to confess. Linus' actions are understandable but incomprehensible. He confessed to her that he felt that he could no longer lie to her. Of course, he liked it. He arranged everything for her and David and canceled the business merger plan because he loved her. Then why didn't he be brave and confess to David that he was the one who stood beside her in love with her.
The relationship between David and Linus should be better than that of many brothers. Without competing for the family property, Linus arranged for David's "job" so that he could get his pension without having to be as busy as he was, and he could actually do business with his marriage without saying hello. As for David, aware of the change in Linus and Sabrina's emotions, the gentleman withdraws, arranges everything and "helps" Linus to make the real decision, and likewise, puts their affairs in the book without saying hello. on the newspaper.
Sabrina's father's point of view has always been: Even if you are in the same car, there are front and back seats, and there is a layer of glass in the middle. This is the so-called class. But Sabrina broke the glass.

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Extended Reading
  • Allan 2022-04-21 09:02:29

    After [Casablanca], why is Bogart the protagonist again? I personally think that Bogart is really unworthy of such beauties as Bergman and Hepburn. William Holden is more personable and handsome in [Sunset Boulevard]. Billy Wilder's sharp style fades, it's just a simple and cliché love story.

  • Destiney 2022-04-20 09:01:48

    Similarly, when it comes to love in the class gap, it can be compared with "Xuan Gong Yan Dance", Wilder has also changed from joking to mean. "Xuangongyanwu" talks about the love between a duchess and a businessman, and the class gap is just a seasoning; "Dragon and Phoenix" talks about the love between the rich second generation and the driver's daughter. Compared with the former, the class gap is greatly narrowed, but the class gap is really like an insurmountable one. Gap. The story is a little chaotic. Hepburn who went to Paris did not learn cooking (or optics can beat eggs), but instead made herself a fair lady in the fashion capital, and she naturally got full marks in terms of styling. But she and the two brothers (especially Bogart) don't actually have any chemistry, and there's no sweetness in the love scene. The brothers, Bogart and Holden, are cold all the way, and the other is as lively as ADHD, and the contrast is too deliberate. The transposition of the two in their emotional relationship also lacks a process of change, which makes the happy ending seem blunt. The only bright spot is that Wilder's punch line runs through the entire film, whether it's the small twist in Hepburn's father's reading of the letter, or the trio of Bogart and his son's snarky bickering, all impressive.

Sabrina quotes

  • Oliver Larrabee: Seems to me there ought to be a less extravagant way of getting a chauffeur's daughter out of one's hair.

    Linus Larrabee: How would you do it? You can't even get a little olive out of a jar!

  • David Larrabee: I thought you two had eloped! I wouldn't mind, but not in my car.