The movie should tell the story of King Ashoka during the Peacock Empire. Whether it is the background of the character's palace fight or the war, it has been well restored. The only difference is that in the early years of history, King Ashoka was a monarch who advocated violence and torture. That war was a turning point. Because of the deep killing, he suddenly found his conscience and repented of past atrocities and converted to Buddhism. However, the film is more permeated with the atmosphere of Hinduism, not only the icons of Linga and Shiva worshipped by the people, but even the male protagonist as a Vishnu-like savior. Although the hero is deified, it does not hinder the promotion of the martial and enterprising spirit of the Kshatriya caste. The story begins with the male protagonist climbing mountains and wading to court, which is exactly in line with the main theme of the Indian people's labor, reproduction and war. I won’t say much about the exquisiteness of the scenes, the grandeur of the war scenes, and the common forms of singing and dancing in Bollywood. The only drawback is that the story is not coherent, and the heroic feelings that have been ignited suddenly fade away. The next episode is worth looking forward to.
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Baahubali: The Beginning reviews