That inexplicable true love-The Phantom of the Opera [Cat]

Yvette 2021-11-20 08:01:42

That Inexplicable True Love After watching "The Phantom of the Opera" adapted from the opera of the same name by Andrew Weber, I am afraid that many people will wonder who Christine really loves. Although Amy Rosen’s performance at first made people feel that this beautiful heroine was not only innocent, but also naive, sluggish, without the ability to think and defend, in addition, she always chose and flew with the young viscount, and Lacking brains and attractiveness, we still got the music and visual shock in this passionate and well-known ending film, and participated in this thrilling love triangle together. Although Kristen often murmured nervously that she couldn't escape "his" palm, how scared of "him" she was, but this ugly ghost is still her "music angel", and his fatal attraction is still like a magnet. Respond to her... Christine is an orphan girl who was brought to the opera house to grow up at an early age-please note that her life experience is very similar to ghosts, so their vision of life is also the same, and even brought them into Here is the same kind lady. Her memories of her parents only stayed in what her father said on his deathbed: After leaving, she will bring her a "music angel". And this angel, as she sincerely believed, really came, and accompanied her to grow up like a father. She is beautiful, lonely, and fragile, and the only thing that can interact with her heart is this invisible "angel" that can sing in her mind all the time. That voice was full of masculine charm and wild temptation, taught her to sing, satisfied the release of her Electra complex, and controlled her thinking. And her fantasy of "angels" is so beautiful, mysterious, trusting, defenseless, and almost loving. When the ghost appeared for the first time, she followed him in a daze, almost hypnotized by his music to the kingdom of night music-ghosts are just ordinary humans, without magic, so that kind of hypnosis must have a girl in person Participation can be completed. The gentle touch of this strange man made her obedient and fascinated like a cat... When she woke up and saw the man who was writing music, she instinctively-only with him, she didn't have to think about what to do or not to do What-caress his face gently, until her curiosity opens Pandora's box-the mask that covers the ugly face... All fantasies are disillusioned, and her eyes are full of fear, compassion, tears, and emotions, like Duke Myshkin of Dostoyevsky saw the face of the insulted Nastasia, and this was just the beginning of a doomed tragedy. At this moment, she realized that the voice of this ugly man could reach her soul, let the sweet and melodious music make her soul fly, and accompany her all the time during the day and sleep... On the other side of this relationship, let’s think about this ugly child who was born with fear and hatred of his mother. He was humiliated and resisted and killed the wicked. He hid in the basement of the opera house, in loneliness, pain, despair, and hatred. Growing up alone, until he heard the voice of a lonely little girl, his musical genius was aroused. He found a body to replace himself, found the singing voice that made his music fly, and quietly looked forward to it in the dark. Beauty finally has support. She is also his "music angel", the only beautiful thing he has in the world. After Christine fell in love with others, his sense of betrayal, loss and resentment towards the world made him mad. Hatred can make people burst out with huge destructive power, not to mention a genius with super vitality. Except for listening to operas, he has no other education, nor has he thrown genius in any trivial matters. For this man who is almost a natural object, moral and social restraints are ineffective, but the pain of childhood and the wonderful understanding have created it. The intelligence and coldness of his acquaintances, despair and strength have created his possessiveness. Music was the only way for him to express his original power. His strong desire for beauty and life can be seen from his Mozart-style comedy opera and the shocking "Don Juan". Once the mask of human nature is broken, his innate wild vitality transforms into a crazy force that brings disaster to others and the entire opera house. His singing voice became louder and louder, slightly hoarse, and it was a direct projection of the color of his soul. The more desperate the person is, the crazier he is. The only light leaving in the dark hell is what he cannot bear, and what he cannot bear is the irony of reality: he taught her how to sing, but this victory has conquered another. A man's heart, in other words, he created their love by himself. What kind of person is this so-called third party? Handsome, wealthy, well-established, popular, innocent and ignorant (because he doesn't need to bother in his life), he has almost everything that the secular world envy, but the ghost does not have. The Viscount’s singing was calm from beginning to end, but it was quite able to soothe a simple girl's heart full of fear and disturbed by unreasonable passion. For Christine, he is the daytime, the summer sun (the actor’s soft and bright blond hair is in line with the character of the character), and as he promised, it is a refuge. And this ideal husband, whom countless women in the world would choose, is like many good husbands. In fact, he doesn't understand or really care about the desire, spirituality, and primitive life of his lover. Lack of imagination, he was actually afraid of the ghost who was constantly afraid of her at first-also the music angel didn't believe it, thinking it was just a little girl's fantasy, and even more so that his chivalry blind and arrogant fantasy could protect his lover-knowing the danger What is it before. Although not as strong as the ghost, he was also willing and willing to ask Christine to agree with him. This was revealed when he first invited her on a date. No wonder the ghost said he was an "arrogant boy" and an "ignorant idiot." And this first date will naturally be spoiled by the ghost into the first date described above. Kristin does not know whether to reject or accept the young date request, but actually wants to ask her father-like angel. On the contrary, this fragile soul faces the angel. Any invitation from is helpless. The inner conflict and fierceness of this love triangle is also here. Whether she is in love or engaged, she has a sense of betrayal—how can she betray if there is no love? When she felt confused, she could only go to her father's grave alone to seek the impossible comfort. She sang how to forget the past. In fact, she didn't know how to forget the angels and face the new life. The person she fears is the protector she thinks can drive away this fear. It is really contradictory. Her father's last words convinced her that the existence of this angel should be her bliss. The integration of her father and the angel also made her. Feel at ease with my incredible love. However, love is love, a force that cannot be suppressed-"My mind is rejecting you, but my soul obeys you". It also appeared several times in the play. When the two of them looked at each other, the trembling of passion was about to erupt—just like the gaze between Catherine and Heathcliff in "Wuthering Heights". In the play, there are three people standing together for many times, the most expressive, of course, the last two climaxes, allowing the audience to feel addicted to the drama while touching their hearts. First of all, Christine waited for "Don Juan" to appear on the stage. With years of coexistence, she should have heard from the first note he sang. It was her musical angel, so she sang in the public afterwards. And performance, it’s hard to say that it’s not the unscrupulous display of the heart under legitimate reasons. The angel's singing aroused the sensuality and desire in her soul, and completed his final touch on her singing art. Her voice and movements were also full of wildness like never before, and his touch still made her fascinated. At that moment , They really "crossed the starting point of no return", she completely forgot the existence of the fiance, and he was watching everything silently on the side stage, with tears in his eyes...Kristen was sober, otherwise he would not Suddenly tore off his mask, terrified the silent crowd that was intoxicated, but he looked at him with great affection. Yes, she is not afraid of that face anymore. What she is disturbed is his murderous heart, twisted soul, the soul she understands and sympathizes deeply-she never tried to understand the soul of the fiancé-this The inferior and proud soul actually won the love war in the last big show. He asked the girl to choose between her lover’s life and love for herself. The young man said desperately, if you say you love him, I will be heartbroken—how can I be heartbroken if I don’t know the facts? The crying girl still called him a "music angel" at this moment, and kissed the person she had really longed for for a long time, twice, and with a slight smile, which was probably a show of sincerity for justified reasons. And her kiss awakened the spiritual side of goodness and love in the ghost's heart. He smiled and shed tears and made the most painful choice: to give up forcing Christine to stay with him in the never-day cellar and live with music. Rhapsody of —— In the past, maybe he could still be a secret lover, listening and helping his lover to sing his music, but now, he has become a target, and there is no place to stay, and no matter what, with him, she will always belong to Losing freedom in this little music kingdom, he could not give her any meaning of happiness, except for "real beauty." In the end, Christine looked back and walked towards the happiness he had accomplished, and he, having lost the only sound that could make his music soar, could only surrender this life in a deeper and quieter place. Let's look at Christine's choice. Knowing that by accepting the angel, she will not be harmed, so what is she afraid of? As she said, it was never-ending to hear his music sing in her heart. Music is the most expressive of all primitive art, the art that can most inspire inner passion and soul desire. For her, the ghost is the night, an irrational force, which has surpassed the physical or spiritual attraction in the general sense, and is the Bacchus fanaticism that sweeps everything. To choose him is to choose to be submerged in his strong character and to be immersed in the "no return" of art and passion forever. It is a love full of destruction. Not all women regard destruction as compulsory for love like Duras's characters. She has the right to choose a safe, secular, and normal love, just like most women. If ghosts have the same faces and experiences as ordinary people, will they be happy? Maybe he can write "Song of the Sun" in addition to "Song of Night", and maybe he no longer loves someone so purely...Look at the genius in the world, what is the fate of Beethoven? Can no one match an angel? Did the Viscount and Madame lead a happy life? There is no doubt that she must have given up her career in opera, but whenever she sings, doesn't she think of that old love affair? That fatherly musical angel? The film gives us a lot of room for imagination. The theater is dilapidated, and the young man has become an old man. He received the ghost monkey music box and enshrines it in front of his dead wife's tomb. He sighed as if his wish was gone. Is this his wish or her last words? One thing is certain, she has never forgotten her angel, when her husband saw a red rose tied with a black ribbon parked by the tomb-it was a token of ghost love, but a set of ghosts had planned to give it away. Her husband was not particularly surprised by her wedding diamond ring. The audience saw his maturity and true understanding of his beloved wife. Time is old, the rose is still red. Did the Viscount and Madame lead a happy life? There is no doubt that she must have given up her career in opera, but whenever she sings, doesn't she think of that old love affair? That fatherly musical angel? The film gives us a lot of room for imagination. The theater is dilapidated, and the young man has become an old man. He got the ghost monkey music box and enshrines it in front of his deceased wife's tomb. He sighed as if his wish was gone. Is this his wish or her last words? One thing is certain, she has never forgotten her angel, when her husband saw a red rose tied with a black ribbon parked by the tomb-it was a token of ghost love, but a set of ghosts had planned to give it away. Her husband was not particularly surprised by her wedding diamond ring. The audience saw his maturity and true understanding of his beloved wife. Time is old, the rose is still red. Did the Viscount and Madame lead a happy life? There is no doubt that she must have given up her career in opera, but whenever she sings, doesn't she think of that old love affair? That fatherly musical angel? The film gives us a lot of room for imagination. The theater is dilapidated, and the young man has become an old man. He received the ghost monkey music box and enshrines it in front of his dead wife's tomb. He sighed as if his wish was gone. Is this his wish or her last words? One thing is certain, she has never forgotten her angel, when her husband saw a red rose tied with a black ribbon parked by the tomb-it was a token of ghost love, but a set of ghosts had planned to give it away. Her husband was not particularly surprised by her wedding diamond ring. The audience saw his maturity and true understanding of his beloved wife. Time is old, the rose is still red.

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Extended Reading

The Phantom of the Opera quotes

  • The Phantom: Flattering child, you shall know me, see why in shadow I hide! Look at your face in the mirror

    [magically appears in the mirror]

    The Phantom: - I am there inside!

  • [as she attempts to leave the first time]

    Carlotta: Andiamo. Tutti. No, es finito. Is finished. Get my doggy, bring my doggy. Bye-bye. Bye-bye, dancing girls. Bye-bye. See you later, because I'm going now. It is finished. See you later.