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spent the whole night watching the show and gave it three stars. I flipped through the first three drama reviews. The polarization is more serious, and the advantages and disadvantages are almost covered, but I personally feel that there is something missing.
Before "The Walking Dead" was filmed into a drama, I had watched more than 20 episodes of comics (thanks to God Slayer's Sin). At that time, I could only describe my love for this work by being obsessed. Before I saw this work , "Resident Evil" is almost all of my zombie worldview, but this "The Walking Dead" immediately took me through the shackles, thrilling plot, shocking humanity exposure, and deep and sound lines! Rick's sentence "We are the walking dead!" that Rick grasped on the prison fence was inscribed in the heart of every "moving fan" like a awakening saying.
The comics have been so successful. First of all, the remake into a TV series has confirmed a large number of ratings. The facts have also proved that the show has been a great success from its inception to the present. Will follow it without hesitation... Of
course, in terms of the plot alone, the comic-based "The Walking Dead" has almost no pressure. Although the TV series has changed a lot of plots, it still keeps pace with the comics in the general direction, including The recurrence of many classic scenes (such as the beheading of Herschel by the "Governor", the tortured in the comics is Taikasi; another example is the zombie mouth of the young woman and the bear child Rick met in Ideal Town).
However, as a derivative drama "Fear of the Walking Dead" does not have the inherent advantages of "The Walking Dead". The derivative drama only inherits the world view setting of the main drama. So, all the plots can only test the level of the screenwriter. After six seasons of "The Walking Dead" "The beaten screenwriter team won't at least hand in a negative assignment, right?
Let me talk about the advantages first. The screenwriter did not deliberately imitate the "The Walking Dead" model, focusing the contradictions on survival and human characterization, as well as a large number of battle scenes. Instead, the plot focuses on the missed history of Rick’s hospitalization and coma (this comic does not mention it, the first season of "The Walking Dead" is basically a copy of the comic), which depicts the Los Angeles area in detail. The process of complete collapse: gradual and frequent attacks; large-scale riots; military and police suppression; army disintegration; separate things... It can be said that as a test, this point is not bad, and it has effectively alleviated the "action". Fans have experienced the tiredness brought by seasons of "The Walking Dead: Survival in the Wild".
Since it was so miserable before the Rick team, the contradictory points naturally returned to the impact of the parents' shortcomings and disasters on civilization. The character setting is also okay. The male and female protagonists are both teachers, the protagonist has been divorced, and both the pro-son and the reorganized child are in a rebellious period, and so on. This series is designed to create contradictions. Once these contradictions in life are thrown into the vortex of disaster, what kind of waves will it produce? Here I have to scold those audiences who have a God’s perspective to follow who is going to die. , Once on the Internet, they are pervasive, these people = racial discrimination + the upper brain of the worm + full of hostility)
Taking these contradictions as the fetters between the main characters, as the disaster becomes more serious, the plot has evolved from the previous family conflicts to survival and escape, and the character characteristics and changes of the main characters have become clearer. The first season also came to an abrupt end here, very cleverly, because Rick woke up again...the
environment, props, sound effects, soundtrack and makeup have not lost the consistent force of "The Walking Dead", and AMC is indeed powerful. .
Well, it's time to spray next.
Let me squirt about the heroine first, the heroine gave me a feeling of not paying attention to anything, just thinking about my own thoughts. It may be that he has not reacted to the great changes yet, or it may be that the actor's lunch box has not added chicken legs...
Besides, there are loopholes in the plot logic: 1. The addict shot and killed the black drug dealer brother, and then he ran to the other side of the tunnel and waited for his parents to rescue him. The parents arrived and drove through the tunnel to the scene of the shooting, but the drug dealer's body was missing. Backing back through the tunnel, the drug dealer zombies came towards them from the other end... The screenwriters abandoned their IQ in order to set up an oppressive scene. The zombie not only runs fast, but also becomes invisible... 2. The hero's truck halo is dazzling, Stopped on the street for a long time, no one dared to smash it, you at least let it break a few pieces of glass, it's too obvious to hang up! 3. I don’t want to complain about how the principal’s corpse was transformed in a school where everyone was gone (the principal did not have any signs of fever before the corpse), why did the hostess and Xiaopang abandon Xiaopang for n years after killing the principal food? Don't you even miss a bottle of water? ! 4. The base collapsed, and the three soldiers robbed their sister and his son’s car. After knocking out his son, he obviously wanted to force his sister to follow the rhythm of the army chicken. Nothing...5. The soldier who was tortured by the old man not only followed all the way into the base captured by the zombies, but also somehow drew his guns when everyone was there, and finally hit the old man's daughter who had a relationship with him ( He knows that the old man’s daughter intercedes for herself)... Generally speaking, these loopholes are for the plot to continue and fill the hole, but the drama is good or not, the details are very important... These obvious loopholes are very eye-catching and have a deep impact. The reputation of this play.
This play focuses on shaping a group of people who are different from Rick and the others. Taking the male protagonist as an example, he is a good person in the standard sense, and unlike some good-mouthed and physical selfish bastards, the male protagonist never talks, but It is to do it personally. Of course, because of his bad goodness, his shortcomings of idealism have been exposed. When the cruel reality hits, it is also the time when his ideals gradually collapse. His thoughts and behaviors have more or less affected the family around him. In this circle, except for the old man who has experienced the border situation, almost all of them are rabbit attributes. If it is not for the screenwriter, the family will write according to the number of Rick. Explained early. Don’t you see Li in the first part of the game "The Walking Dead"... In the second season of the future, if the screenwriter wants to maintain the cruelty and authenticity of the zombie world, it will definitely change the hero and his family, otherwise he will follow the old man in the play That famous saying is general: Good people don't live long. But if you develop in the direction of Rick, it will become a copycat version of "The Walking Dead"... The future of the screenwriter is not easy.
Above ~ I
just bought a flight ticket for Flight 462 and rushed there!
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