The time and place are right and people, and in the end, "Underground" won many awards. Most of the film reviews about the film are praise and praise, just like entering the Louvre Museum, you can't see the same exhibits as the documents on the street stalls. Aside from the way the film is presented, and the personal talent of the director Emile Kusturica, the meaning of any work and the mental journey it brings to people should not stop at that time in 1995, nor should it Staying under the halo of many awards, it is meaningless to talk about the development process that is divorced from reality. The author does not make too many "statements" about the merits of the work.
For some reason, the genre of "Underground" is a historical drama, a film that shows the historical experience of Yugoslavia from the establishment of the federal state to the disintegration of the state. "The whole film is full of carnival atmosphere, the actors perform exaggeratedly, and the plot wanders between absurdity and banter. It is extremely satirical about historical events and history itself, and in the strong magical realism style, it is even more collage. It is a very classic postmodern film that continuously deconstructs history with parodic techniques." The comments on the film on the Internet are mostly like this, the author does not understand the film, but can think independently, and know what the value of history is and what is history. Using a playful technique to process and create history shows the director's three-point value and conveys it to the audience. If the audience understands the true face of history, they will most likely smile. What if the audience doesn't understand it? Why does everything become a vassal of artistic creation? History does not insinuate, history does not seek out the truth, and most of the people who love to show off and joke are street tabloids!
History is the history of the people, and history is written by the people.
Coinciding with my country's South China Sea disputes, the hegemonic power politics led by the United States has constantly challenged my country's bottom line. Back in 1918, the unpredictable era of Continental, in the Balkans, the Kingdom of Serbia-Croatian-Slovenia, the predecessor of the country in the film, Yugoslavia. In 1929 the country dissolved the parliament and various parties, the king implemented a dictatorship, renamed the Kingdom of Yugoslavia. The Kingdom of Yugoslavia - a country covering Croatia, Serbia, Slovenia, Albania, Muslims and many other nationalities and religions, a constitutional monarchy (actually a dictatorship), the people live in dire straits, but their monarch actually holds Peter the Great It is really stupid to participate in an unjust war with the same "feelings".
I really don't know if their people are stupid, or the government is stupid, the domestic situation is elusive, and the international diplomatic program is swaying. The national conditions of Yugoslavia and the people of Yugoslavia are far from being as simple, kind and brave as shown in the movie.
"Seven borders, six republics, five nationalities, four languages, three religions, two languages, and one country" is the true portrayal of Yugoslavia
. Why is Yugoslavia producing such Yugoslav-style themed films out of compensation psychology? Still living in the so-called world of art architecture.
Their people will not choose their own direction, then other countries will help you choose.
Sadly, most viewers think this film is a reflection on the war, a memory of the struggle of the Yugoslav people. In the author's opinion, this is just that the director put on a beautiful coat for his hysteria, but also deceived the whole world. People's thoughts are stenciled and deeply rooted. In the face of things, dualism rules the brain. sad.
Westerners never know what is benevolence and righteousness, what is benevolence, what is human rights, and only recognize strength. The so-called modern international relations system after the Treaty of Westphalia and its corresponding treaties and international negotiation systems are nothing but the product of the relative balance of the powers of the major powers, and no one can eat the other. In their bones, Westerners believed in what the Romans did to Carthage—the trinity of barbarian city, plundering, and selling slaves. Therefore, when we look at Western things, we do not need to be polite or moral to Westerners. Strength is the only bargaining chip to overwhelm them. This is the case in economy, architecture, and the scope of literature and art. We don’t have to follow the way of thinking of Westerners, nor do we need to follow their lead.
Emir Kusturica is just cleaning the ground for the Yugoslav people, decorating and beautifying the cold, cruel, embarrassing history, and it happens that they all eat this kind of thing, and it is classic and real. for dross.
Their truth exists only within the range of the cannon. Art is just a fig leaf.
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