The background may be unfamiliar to the Chinese people today. Probably in the 1960s, the Cultural Revolution in mainland China, the riots in the Hong Kong government, and the anti-communism in South Vietnam. The scene where a North Vietnamese agent was shot in the head in the street is a true story, which was filmed by an American reporter. After the incident, it shocked the world because the background of the incident was not clearly explained. Against the background of anti-Vietnam War public opinion, as a symbol of South Vietnam's brutality, it became a starting gunshot for South Vietnam's downfall. The photojournalist has recently publicly expressed remorse. Seeing is not necessarily believing. Most of the domestic network incidents are like this.
Wu Zhiyewang can be seen from this, but the whole film is far from the epic. The historical background is too complex and grand, and the film language is too delicate and trivial, making this shot more like a chaotic battle in Hong Kong films. Few people can understand that this shot that travels through time and space has happened and even happened to all living beings in front of the screen. With the influence of upside-down.
Director Wu can make a shootout film into a war film, and he can make a war film into a shootout film; there must be a few vases in the chaos, too many ideas, just taste it, just like a hot pot, just a lively.
Event introduction:
http://tieba.baidu.com/p/2519449697
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