Or, the so-called love is a lot of subtle shaking in my heart. These subtleties shake the despair of love, shake the fortress that isolates the world, shake the distant and desolate silence. It is also because of these shaking that one person quietly invades another person's life.
Without you before, I don't feel handicapped. Now without you, I can't perfect.
Ah, love is scary. So when Mark realized this horrible thing and was looking around at him from under the Eiffel Tower, he turned around and walked away: "This is ridiculous! I might fall in love with you."
"Subtle Love" is better than "One Kiss Paris" More in place. Was amazed by the last set of Paradise Garden scenes.
Remember a few lines.
Boss: Eat Swedish pancakes?
Mark: No thanks, I just left Sweden to escape this.
Boss: You are very interesting.
Boss: What does it feel like to fall in love with her?
Mark: Just trying to make myself better.
Boss: Ah, you are still a poet.
Mark: Thank you for treating me to a drink.
Boss: Ah, he is also polite.
In the end, Mark's heart monologue:
I'm here to follow Nelly's growth footprint, and go all the way to the depths of her heart, and I'm here waiting for her to find me.
It doesn't seem to be particularly moving, but it seems to be moved again. Perhaps this is exactly the effect the director seeks, not stunning, not forceful, not choking, not very profound. Just gently strumming the strings, like a gust of wind, wrapped in a story, and it blew so gently.
Audrey is a very strange actress, some angles are amazingly beautiful, and some angles are flat like a not-so-good-looking neighbor.
In addition, does the heroine dare to be more willful? Does the male lead dare not to look better? At least, hey...
2016.7.10
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