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Hassie 2022-11-24 16:55:40

1. I like two lines very much. One is at the beginning, Tom's monologue after losing his lover. I think it is the best love story. The other is the dancing scene, when Francis told Tom about his mother
2. I like the rhythm of the film very much, and the speed is appropriate
3. The tone is literary and artistic
4. In addition, there are some insights that love can bring happiness and harmony. Meaning, but it can also become a kind of imprisonment. Like Francis and his mother, he loved her deeply, but that love tied him to the farm; it was like Francis and Tom, they were attached to each other, but Tom felt humiliated, It was tortured both physically and mentally, but he couldn't let himself go. Even though Sarah's appearance gave him a chance to escape, he gave up; it was also like Tom's love for his lost lover. The film implied that Ji XX did not love Tom that much. But Tom still can't forget his old lover, living in the shadow of his old lover, looking for all the people related to him, only by their side can he feel the truth of life. The director finally arranged for Tom's resolute departure. I was very pleased to see that he chose himself instead of getting lost in such a dominating love.

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Extended Reading
  • Claudine 2022-05-05 06:01:02

    Dolan has played a novel theme with an almost badly filmed theme. He is more introspective than the previous works, and he is more masterful. Thanks to a good script, his brother’s lost back at the end and Tom after returning to the city are sad. The ending song Going to a Town sounded, Rufus sang heartbroken

  • Dorcas 2022-05-05 06:01:02

    Behind the first half of the violence is full of naked sexual tension and sexual cues. It seems that my friends really want to be raped, but the whole film is indeed analysing the relationship between violence and desire. In the last paragraph, the violent man is wearing an American flag jacket, the ending subtitles rise, and Rufus Wainwright sings "I'm so tired of you, America".

Tom at the Farm quotes

  • Agathe: Why did my son stop visiting? Why didn't he call or write anymore? What kind of accident was it? Who was he with? How did it happen? Where? When? Nobody dies at twenty-five! No one!

  • Tom: Today a part of me has died and I cannot cry. For I've forgotten all synonyms for "sadness". Now all I can do without you is replace you