I heard that it was DDL's film, and I couldn't wait to see it when it was screened in New York. Before watching the movie, I also gave a photo album, which was very delicately made. After the film ended, there were only sparse applause. It may be because I watched it late and there were not many audiences. It may also be that the classic and eternal temperament of the film turned the short-lived emotion into a long aftertaste.
The story told in "The Phantom of the Seamstress" is not complicated. Compared to "Bitter Moon" (I think there is a subtle intertextuality between the two films), the narrative of "Enchantment" is also unremarkable, closely following the development of time. However, this plain narrative is extremely powerful. In fact, it constructs a compact, rich and self-echoing space, in which the two clear main lines of self and love are intertwined and finally reconciled. The director PTA promotes the reincarnation of ritualized scenes, such as breakfast and clothing customization, to inject tension into the viewer's emotions, and through special scenes-contradictory intersections, such as quarrels at dinner and searching at banquets- Release to get an emotional climax. The process itself is quite basic, but it must be handled harmoniously and exquisitely. In fact, it requires the director's narrative ability. It is like the wedding dress in the film. At first glance, it does not appear to be a highlight, but its perfect production is The highest embodiment of craftsmanship. The beginning of "Magic" brought the audience back to "Love in Prague". Elderly Thomas hooked up with waiters in the restaurant again, but this time he didn't like reading so much and was more intriguing. At the moment when Woodcock brought Emma home, I wish he could say "take off your clothes" again, but this time he and his sister simply measured this perfect body (it is necessary to mention that it is A romance film that does not contain sex scenes, but it is as erotic as "Love in Prague"). The plot that follows revolves around Woodcock's self-discipline, his lust for the Muse goddess, and Emma's emotional "introduction" to him, and leads to a series of conflicts and reconciliations. I like the climaxes of the film very much. The first is the quarrel caused by the "surprise" Emma made for Woodcock in the middle of the film. My viewing experience can be called the best quarrel of 2017. The long-suppressed anger, helplessness, and despair between the two were vividly manifested in the tone of sorrow and loss of logic. Later in the banquet, Woodcock's "Looking for Her Thousand Baidus" and the meeting of the two like the end of "The Barbaric Story" gave the silent gaze in the picture instant eternity. The last mushroom show for dinner not only completed the "Bitter Moon"-style transition, but also concentrated on expressing the huge desire of the two that cannot be separated, to merge and reshape each other, "Kiss me, my girl, before I'm sick. Out of the news. Emma's actor Vicki Cripps also contributed great acting skills (I think the quarrel about the dinner in the middle of the film is even above DDL). Her appearance was not amazing, and even gave people a slight sense of disappointment, but as the film progressed, she became more and more charming and mature. The exquisite costumes certainly add to it a lot, but I think this change is still more dependent on the heroine's continuous shaping of her own temperament. The soundtrack of this film is also superb, restrained, with a classical atmosphere and not procrastinating, which is very in line with the temperament and theme of the film. All in all, "The Phantom Sewer" is a rare masterpiece from 2017-18, and its charm will continue to ferment and become a classic that is constantly reviewed and discussed by later generations. Out of the news. Emma's actor Vicki Cripps also contributed great acting skills (I think the quarrel about the dinner in the middle of the film is even above DDL). Her appearance was not amazing, and even gave people a slight sense of disappointment, but as the film progressed, she became more and more charming and mature. The exquisite costumes certainly add to it a lot, but I think this change is still more dependent on the heroine's continuous shaping of her own temperament. The soundtrack of this film is also superb, restrained, with a classical atmosphere and not procrastinating, which is very in line with the temperament and theme of the film. All in all, "The Phantom Sewer" is a rare masterpiece in 2017-18, and its charm will continue to ferment and become a classic that is constantly reviewed and discussed by later generations.
Another: The best original soundtrack won the Oscar to know that the soundtrack is Jonny Greenwood, Radiohead guitarist. I didn’t find the soundtrack information at the beginning.. I knew I should spend half the space to worship Green Wood..
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