Anger produces a poet, sadness produces a director. Solzhenitsyn tends to put more poetry in harsh reality in his works, because he is a poet. For example, after the protagonist in "Cancer Tower" learned that he was diagnosed with cancer, the sky should have been dark, but Suo Jun wrote: "When he left her, he thought while walking, feeling that he was walking in two eternal Between the range. One side is the list of the doomed, and the other is permanent exile. Permanent, like the stars, like the galaxy." This became the most beautiful sentence I read when I was a teenager. Therefore, for poets, even if there is a bowl of stew in front of them, they can taste the style of Shangri-La English afternoon tea. But such poetry is completely withered in the son of Thor - repeatedly taking risks in order to find a rabbi who can hold rituals, sacrificing the plan of uprising in order to bury his son, abandoning his son's body in order to cross the river to escape, and finally escaped The whole group of people in Shengtian were killed at the gunpoint of the Nazis. This is a completely Sisyphus-like story. He pushed the stone to the top of the mountain over and over again, just to wait for the stone to roll back to its original place in grief.
In this piece of sadness, the superb photography and editing undoubtedly greatly add to the aura of the beauty of sadness. The whole process is hand-held and aimed at close-ups of the face. There are 89 shots in the whole film, and none of them lasts more than 4 minutes. The director said in an interview with Oscar Media: We must use this kind of scene, so that everything in the film can be presented in the sensory range of the protagonist Sol, what he saw, what he heard, what he felt, Everything up to the concentration camp is reduced to the background of Sisyphus' personal fate - the most exquisite passage is undoubtedly Saul's search for the rabbi among a group of Jews about to be massacred, and the camera is tightly controlled in a space slightly larger than the face. Inside, the background is accurately blurred, and the background at this time is a mass grave, with the raging fire of hell burning in the pit, and one by one, stripped naked Jews are shot at the edge of the pit and then pushed down. Saul's face is dazed between the sinner and the lamb, and the voiceover is the gunshots and loud shouts of German soldiers. This no doubt reminds us of what Hannah Arendt called "the evil of banality" - the worst sin is not evil, but banality. Because evil at least means initiative, strong desire and free will, and mediocrity means that people completely give up their independent will and completely degenerate into tools.
Life is not only about the cowardice in front of you, but only a short and tight fake poet will boil this sentence into chicken soup and sell it for money - in the eyes of a real poet, a mountain is still a mountain, and a water is still water. ? Everything is far away, and everything is far away. And if you can turn Gou Ghou into a poem, it will be even greener than the distant fields. Rohmer can be regarded as the most powerful poet among the poets of this kind, because he has photographed the stubbornness of life in "Green Light", and he will still arrange the green light to accompany Prince Charming from the sky at the ending Live up to the sexual fantasies of older leftover girls. The Son of Sol focused his attention on the struggle of life and death every second. After reading this concentration camp's startling step by step, the palace fights of the Gargoyles couldn't touch my G-spot at all. Saul is saul, the king of the Jews in the Bible, and Saul is also soul. Under the crushing of this cruel world, it is not only our flesh that is smashed, because the flesh has been turned into ashes in the crematorium, but the soul. Still reincarnation. Clara Royer, the screenwriter of the film, said in the film's review: This is a paradox: "You will be burned to ashes in Auschwitz, so you can't be buried. But if you don't want to bury yourself, then you don't Be a human again." Sol was repeatedly reminded that "you don't have a son at all, the one you want to bury is not your son", that's true, you don't have a son of blood, you don't have a son of DNA, but the son of your soul is immortal.
A lot of people say it's another politically correct theme movie, and I admit it's true. Kahneman, winner of the 2002 Nobel Prize in Economics, was originally a psychologist. He proved through experiments that the human brain has a prime effect. For example, let the experimenter count the money first, and then arrange for the actor to fall in front of the experimenter, and you will find that the proportion of these experimenters helping others is greatly reduced. On the contrary, if people see scenes of cruelty, loneliness and fear first, then the willingness of human beings to be like brothers will increase significantly. I happened to test this theory myself tonight as well. After the movie ended, I bowed my head and picked up the wallet that was lost by the audience next to me. Without any hesitation, I made five or six phone calls with a firm heart, and I found this lucky girl who saved the country. In the cold wind, he returned the things to her. The reason why the girl is said to be lucky is because it is not me who is amazing tonight, but the movie tonight is amazing - the boat of friendship is overturned and the ship of love is sinking, but after watching Son of Sol, a harmonious society says Come as you come, the mystery here is worthy of meeting and study by relevant departments who always want to promote the main theme. After all, the State Administration of Radio, Film and Television should be able to learn from the scriptures in addition to studying animal sperm.
View more about Son of Saul reviews
