vengeance trilogy part 2, Reivew on Sympathy for Mr. Vengeance

1. The camera is very good: The last scene where the fish wraps around the ankle represents vitality, and the scene where the ankle is cut echoes it. The bird's-eye view shot shows that the blood is spreading and the river is polluted, which is also a kind of childhood memory disillusionment. The girl floating with one eye on the lens symbolizes that the world can still be seen. There's a nice transition between the ticking of the girl and the sound of the father crying. Shots of the coffin advancing and burning. Stair shot. (More than that) I dare not read the same words as torture.

2. I think it's a quieter movie than the old boy, and it's not as compact as the former, especially in the second half of your revenge, my revenge, you've accumulated too little foreshadowing, and the script is average. . (But after reading a few film reviews, I changed my mind. Park Chan-wook's films are highly authoritative, and many elements and features are only the difference between the deeper traces in this one and the shallower ones. The rhythm and impact of revenge The power and suspense are not enough for the old boy, but the deeply buried plot and logic are better than the old boy. Everyone's cause of death is so powerless, and everyone seems to have left sins in order to defend the truth, the good and the beautiful. Such contradictory cause and effect are not It's just talk, but it is connected by plot and logic.

ps: Very random scenes, tattered wilderness, and tattered clothes do not make you feel rough, because of the sense of the camera.

Keywords: camera / heavy mouth / suspense / rhythm and impact force / nonlinearity and logic

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