Dazzling reversal, all kinds of cheap B personalities, and bed scenes with stitches. The themes of each episode are just the right mix of classroom, courtroom, and murder scenes.
The customer experience in the first three episodes was great.
Because the plot is fast, I don't have time to think about what is illogical, so I just chase it all the way.
However, after ten episodes, even the giraffe seems to have reacted to something wrong.
Then I knew I was being tricked.
In fact, according to the pattern of this frequency cross-rolling the sheets, and pattern cross-killing, any drama can shoot the complexity and reversal of one "fuck" followed by another "fuck".
It is true that the cross-matching of tricks is the consistent behavior of American dramas. This ethnic style is reflected in the longevity dramas in the early years. Basically, when a drama is filmed for the eighth year, all the hero and heroine must be matched again.
American dramas in the new era require a faster pace and a lower bottom line, and the audience has no time to watch those sons and daughters.
If you want to take it off quickly, if you don't take it off, I will change the channel. This puts a lot of pressure on the screenwriter.
So, this drama appeared. Within 15 episodes, all the men and women were taken off one by one. There were seven sets of love triangles in the main plot, and most of the plots were triggered by these triangles.
(Don’t believe it? Let me count it for you:
with Anna as the center—husband, police officer Nate.
With husband Sam as the center—wife, Bonnie, Lyra. Not counting his ex-wife’s first wife.
With Lyra as the center—Professor Sam, football player boyfriend.
Centered on police officer Nate - wife and lover Anna with cancer.
Centered on Leila's boyfriend - Leila, Rebecca.
Centered on assistant Bonnie - boss' husband Sam, Asher, boss Anna who is always out of the situation.
Centered on student Laurel - boyfriend, Frank.
This is not counting the two stallions Frank and gay brother.)
This is just the first layer of weirdness.
The second layer is, finally we found that all the above people, etc., either killed people, participated in the killing, or were killed.
This is not brain-burning, this is nakedly burning human relations!
It's all compiled to this extent, can it be unexpected? How many scumbags do you have to expect this kind of plot? ? ?
Not to mention that every case is bizarre and trivial enough.
It is really an excellent work that gathers the blood of the American drama. Although the professional drama part is not very reasonable, although the writing force of the second season has declined, I can't help but watch it.
The market mechanism is good.
The show also inherits a weakness common to American dramas in recent years. I don't know if it's because the screenwriters of each episode are different, and the characters are not even in the drama.
Not to mention that everyone suddenly started gnawing without foreshadowing, that is, each character's attitude towards the case is different in each episode.
This led to the death of Rebecca, who did not tell the truth, and the love of Wes, the glass heart angel, so annoying. No matter what the setting was at the beginning, such a procrastination and repeated attitude makes people very uncomfortable.
While most people don't like Rebecca and Wes, I think Rebecca and Lyra's relationship is the highlight of the show.
In the entire plot with little depth, Laila's damage to Rebecca is more shocking.
Laila is a rich lady, attends an Ivy League school, participates in mainstream clubs, and has the (seemingly) perfect boyfriend. Just to find some exciting drugs to sell, she became best friends with professional drug dealer Rebecca.
The two talked about everything, and in the end, Laila got rid of it by herself, and immediately threw the blame to Rebecca.
She means: "I have other friends, I have school, rich parents, a boyfriend, you have nothing, not even a friend. Stop looking for me, I don't want to be your friend. ."
The most hurtful thing is that she was right.
Rebecca was deeply hurt. And the revenge she thought of was to go to bed with Laila's boyfriend and call her to see by text message.
Burn your house down to get revenge on the bad guys. Same with that weak old black lady.
The old black lady said, "Rape, who hasn't been raped? Your auntie has been raped, and I've been raped, so what's the use of talking about it everywhere?"
So Rebecca said nothing. Later, Layla died by accident, and Rebecca immediately recognized it: "I killed Layla."
Of course, Wes was really annoying. I don't know what does it mean if the plot doesn't make up some brainy plays for him?
Which Japanese drama did they pick this mouth-cannon character from? Can't you go back?
In all fairness, this drama is good in the category of court dramas, but it is not particularly good.
What aroused widespread interest among the masses was that a group of protagonists were involved in the complicated murder scene, and their fragrant and complicated bed relationship.
This plot foundation, after the big sprint in the first season, I don't know how many seasons it can develop. The current situation is that it is clear that the second season will not continue.
It's like "Conan" that focuses on the ten-year main storyline and tells you in the first year, then there will be no drama to write soon, and it is entirely dependent on the cross-matching of the police to expand the story (that is, Conan's current situation).
So, this show is just around the corner. If the expectation is too great, the tragedy of "Lost" will repeat itself, and the whole play will take the audience to land with their faces.
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