The story tells the cartoonist Fujinuma Satoru, who suddenly discovered that he had a time-jumping ability called "Replay". Since then, Fujinuma Satoru has continued to use this ability to change the future. Fujinuma Satoru's mother accidentally witnessed a child abduction case, but was killed tragically. The police mistakenly thought that Fujinuma Satoru was the murderer of his mother. In order to find the real murderer, Fujinuma Satoru decided to use the "replay" ability to go back to the past... (#viu story introduction) It's
boring to not repeat the winter Japanese drama (to tell the truth until now ) I think the best thing to watch this season is "My Home is Empty"...), I spent 11 episodes in three days, and finished the last episode on Friday morning, even though I felt that the story was a bit rushed , but still satisfied.
For some reason, dramas all over the world are full of "traveling through time and space to rewrite destiny". Has it come to the end of the world that people's minds have changed? [Nonsense] Personally, I like this kind of subject matter, but there are too many in the market, so I don't know which one to start with. It should be an accident to be able to click on "The City Where Only I Don't Exist".
In the end, it's not much different from the man who stepped on the comics (after all, as a test club for stepping on thunder! It's a bit unexpected to step on the 7th episode...), although the fans of the original said that a lot has changed since Wu was in a coma for 15 years, but it still feels like Consummation - Satoru sacrificed himself in a coma for 15 years, not only in exchange for the survival of Kayo, Hiromi and others, but also the true appearance of Yatsushiro-sensei. It turns out that Yatsushiro-sensei and Satoru are a couple? [Mistake] It is said that the animation version has cut a lot of scenes of adult Xianye and the last Airi, but fortunately at the end, Satoru who became a cartoonist and Airi met... The
crossing of an adult into a child is the special feature of "The City Where Only I Don't Exist" , Because there is a bit of the illusion of "ghost upper body"... and the animation can use the dubbing monologue to switch the settings of adults/children at will, and even find the dubbing of Manshima Shinosuke (adult) and Tsuchiya Taiho (childhood) respectively! The performance of the two is very good, I can't recognize it at all! [Actually I just don't know them well...]
The advantage of animation is to rationalize unrealistic settings: such as "replay (one translation: re-screening)", or when adults travel through time and space, the soul goes out of the body and returns to the self as a child... etc., the animation version can be easily presented come out. [So I'm also looking forward to how the live-action version will play out] The story is intertwined, from why the mother was killed, back to 1988 to protect the originally killed classmate Kayo Hinizuki, and then to find out who the murderer is... The "prediction" incident How did Satoru Fujishima happen, how did he avoid the danger of Kayo being kidnapped and killed, while falling into the abyss of the real murderer's trap?
Although the story has elements of suspense, as the original author Sanbu Jing pointed out, what he wants to present is a "human drama with suspense skin", and the description of the family and friendship between mother and son is also very important - Wu's mother trusts and cherishes so much Son, I feel a little relieved, and I understand why Satoru is working so hard to change the status quo. In addition, there are also social issues worth pondering - why are isolated children the target of abduction and murder? What is the mentality of a child abused by a single mother? The content of the story is actually very deep.
"'Want to believe' is for oneself, it's a reaction of 'I hope someone can believe in myself'. ” - Katagiri Airi
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