There are no spoilers to complain:
everyone will have it, it is hard to let go of what was not done or done wrong in the past, "if...". Focusing on this feeling, and the accompanying desire to go back to the past, a work that stirs the audience's sense of identity - is the beginning of rebirth flow.
The animation only has the streets where I am not there. Of course, it will not be adapted from the rebirth of the starting point, but the ability to "re-release" is similar to rebirth and returning to the past. To say that this animation is very similar to the general approach to rebirth. It can be a good inspirational, passionate, or even love-oriented (this is not possible), but it should not be a reasoning and suspenseful direction.
As a nominal reasoning and suspense work, there are no reasoning elements at all. After all, the male protagonist finds out the prisoner completely by going backwards in time instead of looking for clues like a regular detective-not to mention that in the end, the prisoner took the initiative to jump on the male protagonist's face. As for the elements of suspense, we must first make it clear that the so-called suspense is probably the process of setting suspense → arranging foreshadowing → uncovering the truth. The audience mainly experiences the tension in the process and the surprise when uncovering the truth - the story of Pujie has a single suspense. The foreshadowing is poor, and the truth is no surprise. The tension provoked by suspense is useful to pave the way for other elements. At the same time, as far as personal perception is concerned, the rhythm of the animation itself also confirms the fact that animation cannot be an excellent suspense type. As a primary school student, you have to make friends every day and take it slowly.
Therefore, whether the animation is excellent or not, the classification and so on are secondary, and the key point is to watch it well. As for this one, it should be replaced by chicken soup to drink well. Compared with the suspenseful reasoning that does not exist, the main elements of Pujie personally feel more warmth and inspiration. Wanting to reshape myself, wanting to save others, ordinary and unhappy life, eager to rewrite but unable to start the memories, the hero's fragility can be seen everywhere, but he has the right to do it again, and we don't. When the opportunity did arise, he resolutely embarked on a secret and great path. The journey of the heart, real, and contagious - well, I can't make it up. To sum it up, it is a huge pot of chicken soup for the soul, which is at least personally touching.
Spoiler spoiler:
Here's spoiler spoiler:
I love the cover heroine! However, the heroine on the cover said that I chose a fake girl, and I didn't understand why the cover of the first volume was the industry routine of the real heroine. Coming together with a pseudo-girl feels a little casual. Compared with the pseudo-girl who only forcibly showed her face in the rescue operation, the second male END is better to accept it. After all, why is the protagonist group only the second male with an IQ who is an orphan? Is this black? Isn't this black? The work itself is better than realism, and it's not very interesting to have a young moon END, so it's understandable... But I still don't want to accept it.
After talking about the heroine on the cover, I will talk about the chicken soup that basically does not exist in the main line of the story, ah no, it should be the real heroine. I have never doubted Airi's inspiring role for the male protagonist, and of course I feel that the discussion about trust between people can move people's hearts. There is only one thing I want to say - in the opening chapter, Airi is set to be a high school working with the male protagonist. Born, the male protagonist returned to 19 years ago and woke up after 15 years of sleep. Question: What was the age of Aili when the male protagonist woke up?
A good old cow eats tender grass and has called the police.
By the way, let’s finish the first half of the complaints about the plot and the tension in the animation. The feeling is mainly due to the reasoning ability and even the IQ of the male protagonist, which may be lower than the average level of the audience. You can say that this is because the bystanders are clear, but I just think the male protagonist is The idea is amazed. First of all, under the premise that the kidnappers are eyeing the dark place, the male protagonist's idea of saving is - let's be friends, if you don't stand alone, you won't be caught - who stipulates that kidnappers can only be caught alone and not killed? There is almost no description of the male protagonist seriously looking for the real murderer in the animation. Because his own mother is on the suspect list, it is impossible for everyone on this list to be a suspect - where does this logic come from? If that's not enough, why did the first reaction when seeing his own mother killed was to turn around to catch the suspect, then be treated as a suspect, and finally continue to flee and be caught by the police? Am I hanging on to force me to dare to wave? It can only be said that this is a suspenseful story that is better to feed chicken soup than IQ (laughs).
Finally, we must not forget to complain about the big boss, the ability to freely manipulate the degree of pupil color, and use this to forcibly mislead the audience, Mr. Yakumo. As a criminal with a high IQ, in the last episode, he finally couldn't stand the repeated insults of the hero's IQ in the last episode, so he jumped in front of the hero with confidence - and began to sell his foundation in broad daylight. The original party asked and reached a consensus that "this original ending is poisonous". This dialogue and this interaction can be called a model of dirty PY transactions behind it.
Production part:
Regardless of whether the animation died violently for various reasons, viewers who have watched the animation should be able to understand that A-1 is indeed worthy of a very careful evaluation in this production - there is no obvious collapse in the 12 episodes of the season, or it is quite It's rare, BGM is still suitable for the occasion, OP and ED are not good, but the lyrics are very chicken soup style. There is no special highlight of the conscience production, in short, it is not bad without delaying the script.
PS Yumubi's Kadai is quite good, although the sense of loli is thin, but the victory is in no violation.
Summary:
As a comic that has won a bunch of honors and even made it into a movie, the quality of the original itself is unquestionable, although it is probably not as high as a suspense. After all, it is a sensational drama, and it is a success to mobilize the audience's emotions in place. Although such and other problems cannot be ignored, the impression is still very good. It's the same sentence, chicken soup for the soul is refreshing once you drink it, no matter what else.
There is only the street where I am not there, to give everyone redemption, but only I am not there anymore, watch the title guess the ending series, an article with the theme of tragic heroes also has a starting point rebirth of Happy End (mistaken), highly recommended.
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