Just like the talent withering and dilemma in Hong Kong movies today, Yip Weixin and Ip Man, who has left his hometown in the movie, are equally lost. How should the story be written? The struggle for Wing Chun orthodoxy, the turbidity of martial arts competition for fame and fortune, the perseverance of being oppressed by foreigners in the colonies, the embarrassment of gritting one's teeth for five buckets of rice... There are too many inconveniences in the time of national hatred and family hatred. The terminally ill wife danced the last dance song, and the characters will be three-dimensional. It is a pity that the paralyzed Donnie Yen and the sick-looking Xiong Dailin respect each other like guests. This is Zhang Ziyi's unforgettable thoughts floating in his heart. People's politeness is alienated.
What's more embarrassing than the master's affair? The strongest in the universe is against the world champion. No matter how well Yuan Heping designed it, Huaquan and embroidered legs are never as good as real "kung fu". Three minutes are long and embarrassing. I wanted to take on the cry of the mountains and rivers. As if to cater to the excessive ignorance of the false name, the factory is in danger of saving the children, but Ye Wen is still showing mercy everywhere. Compared with Zhang Jin's quickness and accuracy, it is not the opposite of personality, but the confusion of priorities.
The legend failed to continue, close the door and learn the way to survive in a chaotic and troubled world? Tyson, who covets his interests, will come again. The corrupt Hong Kong and British government will not be nirvana by relying on Zheng Zeshi's blood for a while. The hero is getting old and the scenery is slowly retiring. Just like the grand master of Hong Kong's declining movies, where will it go? I am afraid that Wilson Ye and the entire film industry are confused.
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