first of all, it is a scene where the filming is inexplicably switched. There is really no transition at all, just a black screen. It promotes the development of the plot. The director saves trouble
and the plot is blunt. Does the hero and heroine fall in love at first sight, and the heroine fell in love with a hug because of her injury? It's not incomprehensible, but I think it's the heroine who falls in love with the male protagonist at first sight, but the image portrayed by the female protagonist is more indifferent and quiet, neither humble nor arrogant. Is this a little woman behind a man for love? I think love is the accumulation of a lot of things, not a few words or a few exposures, the amida turbulence or the hormonal burst
. I haven't watched Indian movies very much, and I don't know much about their culture. Maybe it's because of this. I can't understand the director's intentions very well, but the Empire Shuangbi didn't surprise me.
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