The train from Hangzhou to Beijing lasted 5 hours and 38 minutes, just after the chaser and a spoon. The interval in between was a little short, and after reading the undigested emotions of the pursuers, they entered the spoon and stirred it into a pot of potato kimchi porridge.
The Chaser is the second film directed by Luo Hongzhen that I have seen, the first being Huang Hai. I started watching it at 12 o'clock that day, and when I saw Xiaobansu, I was astonished. The Chaser is not as stunning as it used to be, but it is still a good movie, with a strong sense of rhythm and not boring, suitable for all ages. Not long after the opening, the plot clearly explained who the murderer is. Although there is no suspense about who the murderer is, but watching the stupid police and Jin Yunshi busy round and round, but can't find evidence, as an audience, I am still anxious, and its effect is even more suspenseful. . The audience saw a sweet jujube in front of them and took a step forward, only to be splashed with a basin of water. As soon as they looked up, there was another sweet jujube in front of them, and then they followed. Unexpectedly, it was still a basin of cold water, until the scene in the canteen seemed to come with a car. The fire truck poured all the water that put out the fire on the 21st floor on me. Just like in the British drama The Fall, it does not create the suspense of who the murderer is, but focuses on building the dramatic tension between the murderer and the police, breaking away from the routine of traditional detective films, but the effect is more attractive. The perverted killer played by Zhengyu Oppa is too similar. There is no routine or tacky, and the subtraction is very beautiful.
The most shocking scene in the whole film is when Jin Yunshi swings a hammer towards the killer, which is also the murder weapon of the killer. The hammer hangs in the air and freezes. At that moment, Jin Yunshi's heart and mental state are actually infinitely close to the killer, just like the end of a spoon, Chen Jianbin Put on the tattered sunscreen that the spoon wears on your head all year round. Similar expressions constituted the helplessness and irony of you after all my hard work but I didn't expect it. However, Director Luo still left us hope. Jin Yunshi, who raised the hammer, was finally caught by the police. The closed loop of black humor opened a gap and let the light of hope come in. But after Chen Jianbin put on the mask, the children's snowballs hit him immediately, as if the spoon was still the same spoon, neither missing nor returning home, life is still a circle with no exit, as Zhan Pan sang, you feel hatred but leave not open.
The rest are the stupid police officers and government officials who often appear in Korean movies. Their efficiency and function are satirized to death. I don't have more attention to the killer. I am very interested in watching his story, the prequel of the chaser or something. And A Spoon is really okay as a debut novel, but objectively speaking, noir films with rural themes such as Heart Labyrinth, Glorious Fury, etc. are still a bit artificial and lacking in enthusiasm.
I arrived at the station, got out of the car, put down the guitar, put on work clothes, another day.
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