The director uses strong or elegant colors to alternately impact the audience's eyeballs, and uses bloody or dirty or ugly or magical pictures to set off the surreal medieval times under the lens. The nature and castles under the lens are beautiful, delicate and beautiful. Magnificently beautiful. Whether it is beautiful or ugly, it is strong. In the alternation of beauty and ugliness, a strong surrealism is created.
Three seemingly independent stories, the only common intersection is either a magical forest or a change of kingship, one is a place where natural mana is displayed, and the other is a moment when human power is concentrated. Three stories, three heroines, three identities in a woman's life—daughter, woman, mother.
The fact that these stories from the Middle Ages can be told in a different way hundreds of years later is itself a continuation of the human theme. Today, although there is no Black Forest, far away from the ignorance and imprisonment of the Middle Ages, and far away from the shackles of kingship; however, those instinctive thinking patterns rooted in the depths of human nature are still around us in various ways. deduction. This is also the fundamental reason why this film can resonate with modern people. The film interprets human nature in a surreal way. There is no right or wrong in human nature. Existence is reasonable. We can find reasonable explanations from any side. When these explanations are combined into one event, they also show an unreasonable aspect, which proves the complexity of human nature.
View more about Tale of Tales reviews
