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The movement of the expressing object itself can also become part of the rhythmic structure of the editing by matching the action splicing, and then this switching creates an uninterrupted flow of action from shot to shot, which is controlled by his interaction with other editing rhythms. The speed and meaning of the action. This interaction can be seen in a passage from Chaplin's The Gold Rush. In this scene, the Tramp is forced by Black Peter to leave the Big Cabin, his only refuge from Alaska's ferocious blizzard. But the wind was blowing so hard that the more he tried to get out the door, the more he was blown back into the cabin. Then, just as he was standing aside to catch his breath, another prospector, Lucky Jim Bay, blew into the cabin and came out through the back door. Without thinking, the tramp poked his head out to see where Jim had gone, and was blown out the back door himself by the wind. But the tramp crawled back to the wooden hut to the end, and then used the wind to beat Black Peter too. He was left alone to become the owner of the cabin, nibbling on that bone freely, which was the only food around to satisfy her hunger, her first meal in a few days. Picture 1. Black Peter pushes the homeless out of the cabin, but before he can close the door, the wind blows the homeless in again, the homeless runs forward, and the wind blows him back (8 seconds). 2. Lucky Jim is run forward by the windslayer, and his tent becomes a kite (2 seconds). 3. Lucky Jim is scraped through the front door of the log cabin (1 1/2 seconds). 4. Lucky Jim is blown through the cabin by the wind (1 1/2 seconds). 5. Lucky Jim is blown out by the wind from the back door of the cabin (1 second). 6. The tramp turned and looked towards the back door, he was also scraped out (2 seconds). 7. The tramp is scraped out the back door of the cabin (1/4 second). 8. Black Peter struggled to push the front door closed (2 1/2 seconds). 9. The tramp slowly climbs back towards the cabin (5 seconds). 10. The tramp climbed into the cabin, slipped behind Peter, and opened the door, so Peter was scraped out too (11 1/2 seconds). 11. Black Peter is scraped out the back door of the cabin (3/4 second). 12. The homeless man closes the front door, then picks up the gnawed bone and starts gnawing on the bone (12 seconds). The scene's growing suspense and sense of humour is created by several sets of shots connected with cuts of matching action. This matching action makes the speed of these paragraphs form different stages of action. Initially, the ferocious power of the gale is depicted through the vain struggle of the homeless man in the wind, which is extended with uninterrupted footage that lasts 8 seconds before speeding up in a shorter second phase. . Lucky Jim is blown through the cabin by the wind in four increasingly shorter shots linked together with matching action cuts. The clips link the movement into a continuous wave that travels through the cabin and seems to get faster and faster from shot to shot. Then in the third shortest stage, the homeless man mistakenly looked towards the back door and was swept out of the cabin by the wind. In this scenario, a longer and a shorter matching action switch exaggerates his abrupt sweep, and while the action is slightly prolonged, it doesn't slow it down. Straight here, although the editing of each passage changes, it itself becomes slower and slower in forming the effect of the tramp being defeated by the forces of nature, the slowness of this uninterrupted shot as Black Peter desperately closes the door The speed seems to indicate that he has finally dealt with the tramp, but we see the tramp crawling back into the cabin again, his slow and careful movements, extended through matching motion cuts and longer and longer shots, become excruciating. suspense. Suddenly he slipped behind Peter, who had just finally closed the door when the tramp opened it again. Peter is immediately swept out of the cabin by high winds, then dances into the wilderness in the last short shot of matching action, the cabin finally belongs to the homeless, and then settles down in a long, serene shot , enjoying his hard-earned meal. Straight here, although the editing of each passage changes, it itself becomes slower and slower in forming the effect of the tramp being defeated by the forces of nature, the slowness of this uninterrupted shot as Black Peter desperately closes the door The speed seems to indicate that he has finally dealt with the tramp, but we see the tramp crawling back into the cabin again, his slow and careful movements, extended through matching motion cuts and longer and longer shots, become excruciating. suspense. Suddenly he slipped behind Peter, who had just finally closed the door when the tramp opened it again. Peter is immediately swept out of the cabin by high winds, then dances into the wilderness in the last short shot of matching action, the cabin finally belongs to the homeless, and then settles down in a long, serene shot , enjoying his hard-earned meal. Straight here, although the editing of each passage changes, it itself becomes slower and slower in forming the effect of the tramp being defeated by the forces of nature, the slowness of this uninterrupted shot as Black Peter desperately closes the door The speed seems to indicate that he has finally dealt with the tramp, but we see the tramp crawling back into the cabin again, his slow and careful movements, extended through matching motion cuts and longer and longer shots, become excruciating. suspense. Suddenly he slipped behind Peter, who had just finally closed the door when the tramp opened it again. Peter is immediately swept out of the cabin by high winds, then dances into the wilderness in the last short shot of matching action, the cabin finally belongs to the homeless, and then settles down in a long, serene shot , enjoying his hard-earned meal. Straight here, although the editing of each passage changes, it itself becomes slower and slower in forming the effect of the tramp being defeated by the forces of nature, the slowness of this uninterrupted shot as Black Peter desperately closes the door The speed seems to indicate that he has finally dealt with the tramp, but we see the tramp crawling back into the cabin again, his slow and careful movements, extended through matching motion cuts and longer and longer shots, become excruciating. suspense. Suddenly he slipped behind Peter, who had just finally closed the door when the tramp opened it again. Peter is immediately swept out of the cabin by high winds, then dances into the wilderness in the last short shot of matching action, the cabin finally belongs to the homeless, and then settles down in a long, serene shot , enjoying his hard-earned meal. Straight here, although the editing of each passage changes, it itself becomes slower and slower in forming the effect of the tramp being defeated by the forces of nature, the slowness of this uninterrupted shot as Black Peter desperately closes the door The speed seems to indicate that he has finally dealt with the tramp, but we see the tramp crawling back into the cabin again, his slow and careful movements, extended through matching motion cuts and longer and longer shots, become excruciating. suspense. Suddenly he slipped behind Peter, who had just finally closed the door when the tramp opened it again. Peter is immediately swept out of the cabin by high winds, then dances into the wilderness in the last short shot of matching action, the cabin finally belongs to the homeless, and then settles down in a long, serene shot , enjoying his hard-earned meal.
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