Don't forget the original intention, Fang De is always.

Guiseppe 2022-03-26 09:01:04

After watching this movie, I can think of too many propositions to discuss. Write them down and talk slowly.

First of all, let’s talk about myself.
When I first saw MARY, I felt that I also had this kind of temperament. But then I saw that she was still shaken by the love of the married man after she was with ISSAC, and I felt that my intuition was wrong. I am not such a person myself. For me, the love of a married man will not affect my true feelings. I don't get involved in someone else's family unless a married man hides it, because I don't like multiple relationships. I like simplicity.

Another reason is that for me, responsibilities and obligations account for a high proportion of the love I can give, and because of this, often I am also the vulnerable party, because you can't guarantee that others will be the same as you pay. Sometimes, I am not sure if I need this relationship, but when I talk about love or affection, I artificially raise the values ​​of scrutiny like ISSAC, and I feel that love and affection are extremely sacred things. This also shows that love and affection hold a very high weight in my life, attracting me more than money and fame. My favorite character in the movie is TRACY, with a 17-year-old who has no hesitation and has an insurmountable principle, in a 25-year-old older than himself, while having sex with her, while falling in love with others keeps telling her to go to the outside world to have fun , In front of men who often go to their classmates as boyfriends, they will be sad because of his empathy. In fact, it's not that she's stupid, but the simpler the person, the easier it is to have love.

Speaking of human nature,
MARY, a female editor in her mid-30s, was able to speak her mind exactly—a man's organ that both attracted her and disgusted her. But why is it still hurting ISSAC while beheading the married man? From this starting point, who should be emotional first and who is more passive? MARY's problem is not having a sense of boundaries, and ISSAC's problem is taking looks and flirting as true love.

And married wives, when it comes to marriage, say that nothing is perfect and that marriage requires a lot of compromises.

ISSAC once said to TRACY: You are wasting a lot of emotion on the wrong person. This sentence is so familiar, and the people who have been with me for 13 years also said to me: You don't have to waste love and hatred on me. However, unlike the old man who likes to talk, the people around me want to keep the interest relationship and get rid of the emotional bond. And ISSAC in the movie, when he finally revealed his heart on the radio, said that it was TRACY's face that he couldn't forget, and then ran to find the 17-year-old girl. This ISSAC is a sentimental cowardly lover and a moral vindicator.

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Extended Reading

Manhattan quotes

  • Yale: You know we have to stop seeing each other, don't you.

    Mary Wilke: Oh, yeah. Right. Right. I understand. I could tell by the sound of your voice on the phone. Very authoritative, y'know. Like the pope, or the computer in 2001.

  • Isaac Davis: You know what you are? You're God's answer to Job, y'know? You would have ended all argument between them. I mean, He would have pointed to you and said, y'know, "I do a lot of terrible things, but I can still make one of these." You know? And then Job would have said, "Eh. Yeah, well, you win."