to say next, I only represent myself, not other audiences. Anyone who feels the same can come in and respond, and refuse to make unreasonable rebuttals from the brainless fans. (The fans have thick filters, and they have been brainwashed how perfect this show is, and there are even some who are just watching it for the sake of appearance. I serve it.)
It can be seen that iQIYI buys hot search hardsell every day, and asks the marketing account to brush the topic every day. Please invite celebrity artists to increase their popularity. I want to replicate the popularity of Xingyou back then, and create an illusion that the whole people are chasing dramas. Everyone has opinions on the effect.
After the popularity became popular, I asked the people who didn't watch it to follow the trend consciously. After watching it, I felt that it was an exaggeration. Then I asked online writers to write "Why do I like to watch Descendants of the Sun?" This kind of brainwashing Amway, forcibly instilled the show with a high concept. , Great career, grand pattern, lofty outlook on life. . . Waiting for the idea of high and high, and boasting that there is a high-level force in the sky, it makes people feel that after watching this drama, they have to feel fluttering in the sky.
This step-by-step planned marketing strategy has to be said to be much more exciting than the plot of the play itself.
However, what I'm watching is a drama, a story, not this kind of sloppy plot under gorgeous packaging.
Simply put: This drama has no point
romance, disaster, or outlook on life. The screenwriter Kim Eun-sook who wants to grab everything has a lot of ambition. Big, but the strength can't support her ambition. I heard that there are two screenwriters in this play, Jin wrote the money-making part (Mary Su romance), and the other screenwriter wrote the money-burning part (earthquake war military scenes). Let’s look at the introduction of this play:
"Descendants of the Sun" is based on the beautiful southern country. With scenery as the background, it is a blockbuster healing romance that shows the meaning of life through the lives of young soldiers and doctors who yearn for love and success in unfamiliar and extremely harsh environments.
Well, condensed into subject, verb, and object: the queen mother is a romance.
It can also be understood that the current state of the play is: all the disaster and dangerous fragmentary plots serve the protagonist's love affair. Your grand background and lofty career have all become decorations and decorations centered on romance. For example, in the third episode, the soldiers defied the military order and confronted the Arabs with their guns, just to trust a female doctor to save the patient. Love is so great, I don't hesitate to confront other countries for the sake of women. Here I just roll my eyes: In reality, no doctor has absolute confidence in treating a seriously injured patient. I thought that the latter patient would be killed by medical treatment, which would lead to a war. The screenwriter designed this mentally retarded episode, and the plot should have been like this. logical development. However, the screenwriter is obviously still stuck in the world of the protagonist's halo in the 1990s, and this protagonist's halo is: open hanging. Like a gambling movie in the 1990s, you gambled on everything just to be handsome, and the protagonist was able to win if he was so handsome. Has he satisfied the fantasy of "defeating the impossible"? What is shown here is the opening of the heroine - the miracle doctor is alive. In the fifth episode, it was our male protagonist's turn to hang up - the car that was more powerful than aliens rushed off the cliff and fell into the sea, and he and the female protagonist swam ashore unharmed.
The most popular phrase in marketing accounts and drama fans is the evenly matched love (Mr. Mimeng is very influential). Seeing this, I want to say that the male and female protagonists are really evenly matched, and they are evenly matched.
Forget these details, there are always exaggerations in dramas, which can be ignored.
But what I want to complain the most is that the plot of this show is really lackluster, selling good looks, showing off skills, and making up the plot with all kinds of leftovers. The charging scene shows that apart from the money spent by this local tyrant drama, which line can lead the audience to chase? Don't tell me it's the process of the love between the male and female protagonists. The attraction of this line is too weak (because the two leading actors lack sparks and no sense of CP), and it will also waste the invested funds and the protagonist's professional background.
A really well-written love line is not about weaving a big net, and then using bits and pieces of incidents to sprinkle seasonings into it; it is about designing a line with tension, and a series of thrills and interpersonal relationships unfolding around this core. Emotional collision, in order to let the flow of love blend in the grand background to make it sparkle.
The screenwriter is obviously putting the cart before the horse, love is bigger than the sky, and then he talks about the value of life, which is nondescript.
In fact, this drama is not substantially different from the successors of the previous Lei Zuo (all of them shouted slogans and no dry goods), and what is cleverer than the successors is that there is no love triangle, willing to spend money on packaging, and the protagonist is generally good-looking and acting. Better than the successor, that's all.
My assessment is: Kim Eun-sook, who is inseparable from the essence of Mary Sue, reluctantly writes big feelings under the big picture will only make people despise the masters.
View more about Descendants of the Sun reviews
