Just talking about your own opinions does not represent the film itself, nor does it belong to your inner interpretation. I also hope that you will not be misunderstood by me. The movie Evil Boy was watched because when I went to Beijing to paint, the senior who was next to Kaozhong Chuan talked about it. There are some movies that people who study animation have to watch. I think the villain is one of them. It is a bit dumbfounding to see that the characters are not beautiful enough in the short comments. When more people pay attention to whether the characters are beautiful, whether the feelings are moving enough, and the pictures are not enough atmosphere, people have actually put themselves at a high point, waiting for the film team to please and impress themselves, and the film itself that is ignored, Especially the small and spiritual things in it. It may be a little bit of experience when you are engaged in creation, but you are not begging to like everyone. Of course, it's not to say how noble the creation is. In terms of technique, "The Bad Boy" deserves to be a good movie. From the scene design, the shaping of characters and metaphors, and the rhythm of the plot, it has its own style and has an addictive pleasure. Black and white are the protagonists. At first, I thought they were the subjective and objective aspects of personality, but then I felt that what others said was very reasonable, and they were just two expressions of goodness. As other critics have said, the black-and-white gang of cats, scorpions, and rats is the balance of the city, and the new aliens upset that balance. This is a turning point, it is better to say that this turning point is a necessity, and they are just a reflection of the times. In this city where the church has mice, money, and women, it will eventually be completely unfathomable under the pace of the times, and all memories will only become powerless memories, and the "rat" belonging to the past era has also become a symbol, from the cross. After two eras, Kimura ended his life, although Kimura respected him so much. "I saw your death, and he wrote it on your face." Black said to the mouse. " You too, I am waiting for you in hell. Perhaps what they saw was the death of this "city" [referring to the past Kicho]. Of course, this is from the perspective of mapping, and from the perspective of characters' feelings, they embody another kind of destiny of human beings. Implicated, and doomed. You will find that every foreshadowing of "The Bad Boy" is explained. I like this kind of Russian nesting doll movie very much. It is worth digging and solving those things. For example, the mouse said to Kimura at the beginning. : "You don't have to believe anything else. But you must believe in love. "In the end Kimura killed the snake and he said, "Who instructed you?" "Sincerity and love." The characters have their own fetters, but what they have in common is that they are all in pursuit, love. White's love for black is mutual, Kimura's love for Rat, Kimura's wife and children, Rat's to the city, and the cold policeman's dialogue .Love becomes a path between them rather than a quest to keep them running around to get what they want. Maybe they don't even know what they want and just feel like running down the road, running Go down, until night comes, and death comes with the raven. "Night makes me sad, maybe because it reminds me of death. "We can guess that maybe the night also refers to the black. So when the white is there, the black wants the city; when the white is injured and leaves, the black starts to want the white. Maybe he wants to belong, What he once thought was a vast and empty city, but later found that this belonging was nothing but a collection of reassurances, so he found that all he wanted was "
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