as usual is stepping on the last minute point and stepping into the movie theater. It's not that it's cool, but every time the wife has a lot of work at hand, so she seems to be in a hurry.
In family life, men often only think about one thing, such as watching a movie. Men will only book tickets to count the time, get dressed and pretend to wait patiently, and occasionally urge when the patience is almost finished. And women have to finish the previous housework, but also think about buying the next meal on the road, and pretending to be beautiful has become a secondary position.
In other words, men's responsibilities are more single and clear, while women's responsibilities are more complex and diverse. Because of this, men are realizing their dreams in the name of giving, while women's giving may be in the opposite direction.
Closer to home, the storyline of the movie "Rescue" is very simple. A mining accident at an old private gold mine in Chile has left 33 miners buried in a deep, uninformed well, with only three days' worth of food. The mine owner wanted to hide it, and there was no rescue capability, and the government did not want to intervene. Family members are sad and helpless. Often this is the case of shutting down the mine for good, erecting a tombstone and letting time play down the trauma.
The young mining minister chose to go to the scene to face the madness and despair of his family's grief. With the help of an experienced chief engineer, after several setbacks, the information about the miners' survival was finally obtained on the seventeenth day. Under the organization and management of one of the leaders, the miners struggled to survive for seventeen days on only three days of food. Approaching the brink of death, hallucinations have emerged. But the heart is basically close. The role of religion is more apparent in times of helplessness and despair.
But this peace is out of balance when it comes to contacting the outside world, getting food and material satisfaction. Human nature is often difficult and easy, and common prosperity and hardship. Many Chinese-style partners continue to stage this scene. When starting a business, they are firmly united and do not distinguish between you and me. The more they develop, the more alienated they become.
The remote desert mining area on the ground has become a bustling market town. The government provides long-term meals and medical care for their families, and it is important not to forget to set up temporary schools to provide children's education. Global news is constantly rolling, various charities are getting together, and of course, there are also books published for show and so on.
Countries such as the United States and the United Kingdom have participated in the rescue. From the original unwillingness to intervene, the current president understands that if the mine disaster is not handled properly, it will become a crisis of reform. After all, the miners cannot be allowed to die in front of the world's cameras.
And the psychological crisis of underground miners is no less than the geological crisis that continues to sink. Overthrow the leaders in difficult times, and create different fighting chaos, and finally reconfirm the original leaders, unite, cooperate with ground operations, and welcome the rebirth together.
True story, plain and ordinary people. It is the unfeigned emotion that strikes directly at the heart.
Disasters are unpredictable. There must be pre-disaster prevention, as well as post-disaster review and accountability. But what is more important is the unswerving rescue during the disaster.
The government organized rescue forces to provide family life. The scene was handed over to a professional commander, and the news was only about the progress of the rescue and the current situation of the miners, without the leadership's instructions and speeches. Everyone performs their own duties, and in the face of a catastrophe, only a good heart is needed. This is positive energy.
There are many emotional points and reflections in the film, which are connected and detonated by the music of James Horner, the great scorer of the soundtrack, especially the Irish bagpipes at the end of the film, which made me see my heart. I wanted to close my eyes and listen, but every time it was only us, and we had to face the eyes of the cleaning staff under the screen.
Cinemas are getting more and more luxurious, and there are more and more people, but why is the essence of the ending always discarded? Is blank space and thinking really not important? I'd rather be a backwards person.
2015.3.06 Wen Rushi
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