In my impression, French films generally lack logic. In short, the plot is more tangled and difficult to understand. However, after watching this film, I have changed a bit. Although the plot of this film is rather tangled, I have to admit that it still has something that touches me in addition to its metamorphosis.
I can't help but say that I think this film is so bloody that it's so funny:
1. In order to get back the passion between lovers, I want to do 3P suddenly, I barely understand it, but in the end, it's true that a broken back plot is made. (If this film is fortunate enough to be remade by Americans, I strongly request that the little beautiful man at the end be replaced by a little beauty), I can only convince myself that this plot is about to say, "Actually, the essence of love has not changed. , it has become just the name of the lover"... Well, to extend it is: since you can be loved, the lover's gender is not a problem.
2. The family decides to give the dead girl's inheritance to her boyfriend in order to make him feel better; the mother is so loving that she wants to ask another woman in the 3P to take care of the dead daughter's living boyfriend, who is the only man in the 3P ;The way an amorous sister handles her grief is to go to her dead sister's house every day to lie on the sofa bed and wait for her sister's man to come home, and be angry at the way the man refuses to respond to her... Please don't blame me for not understanding French style, Seeing this kind of plot arrangement makes me really tangled to the nerves.
3. The third point is not the movie, but the classmates in the subtitle group. In fact, I am grateful to the classmates who translated this French film with subtitles, because many of the lyrics of this film were translated quite well, but... why don't you make up your mind to unify the style, and often say "Your way is too yellow too" Violence", especially the song that the male lead sang when his girlfriend died, Delta Charlie Delta, the atmosphere was so sad, but when I saw "Dongguai" flashing on the subtitles, I still laughed unkindly, Guilty!
Then I talk about actors.
First of all, when I found out that the familiar-looking heroine was Ludivine Sagnier, I began to resent her since she appeared on the scene. Why did this woman kidnap my family Nicolas Duvauchelle, and as a result, if I didn't pay attention, her Julie played I hung up, and the film was only about a third of the way into the film, so I felt guilty later, until she finally reappeared in a hallucinatory way, I paid close attention to her face, her eyes were very clear, let me There is a feeling of pity and love in the heart. I think this is the reason why she can stand out from a vote of beautiful French women with a beautiful face. She was already the mother of a 2-year-old child when she acted in this movie, and she can still show the appearance of such an innocent girl, which is not a skill.
Louis Garell, the son of a master and a handsome guy, is keen to "dedicate himself to art" in the film he starred in. It can be said that in this film, in addition to his dedication as always, he has to give a voice. This is my final decision. One of the reasons I watched this movie. He's so cute in this film and a little bit neurotic, mainly because of his character I love. The song he sings, Les Yeux Au Ciel, is also my favorite soundtrack work.
Then, in fact, there are many big names in the film, if you are interested, please google it by yourself, not to mention.
The rest, the most, is something that other French films generally don't give me, that's moving.
Julie's sudden death took me by surprise. I didn't know where the story was going and how those "love songs" were going to go on. The gap in the hero Ismael's life suddenly has a lot of possibilities to be filled, especially when I see Erwann, a little handsome man with a broken back, perseveringly challenge Alice, who was an advantaged 3P partner, and her sister Jeanne, who is near the water tower, I feel very sad. And Ismael continued to live almost as if nothing had happened, which almost made people angry. But in the end I saw the scene I wanted to see: Ismael came out of Julie's parents' house "all right", the familiar streets had been changed, and he began to sing:
"I spent the whole winter forgetting you, burying you with a purgatory life, every minute and every second I suffered loss and suffering, in blood and tears, in blood and tears..." At
that moment, all the doubts became very clear, There has never been Alice, no Jeanne, no Erwann. This gap has never been filled. The person he loves is Julie. How could he be indifferent? So, the whole world returned to the original state of only "two people" in this way without Julie.
I was very impressed with Romeo's appearance in the film "Romeo and Juliet: The Postmodern Passion", which has a comparable scene: Ismael is sitting by Julie's tomb on a winter evening, with a shimmering building behind it. Building, he wears black gloves and smokes quietly. Julie appeared, and she whispered after him, "Why are you late? So late?..." Over and over again, Ismael slowly walked away, Julie was left behind. This scene reminds me of the scene where Ian and Deborah broke up in the movie Control. Deborah walked forward without looking back and Ian stood there. What's that called? Love will tear us apart.
Ismael finally fled to the arms of the little boy who gave unconditionally, leaving a sentence "Love me less, love me longer", I saw someone ask, is this salvation or sinking? I just think of the conclusion that my good friends and I tend to agree with: true love is that there is no such shop after this village. If you can be sure in your heart that there was such a person, what does it matter if you forget it or become a cocoon in your memory?
Ismael used to say to Julie with a cynic face: "I don't know why, I can't tell, I love you for my own reasons." What
he didn't see and didn't need to see was that Julie once gave him it on a rainy day in Paris A beautiful response:
"In the bleak rainy season, I will love you until it's gone."
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