Youyan willfully watched the first episode and said to a certain girl No. 1: You are ugly, and you will stick to each other until the end of the play, and I will not be able to get your love. Yan and self-willed, a second fall is very convincing. After watching the second episode, I said to a certain girl No. 2: Master of Jinbian, you must read countless men. Playing with knives on the border of the Northern and Southern Dynasties, they finally looked at each other and smiled at each other. This is the vision. The appearance of a thief brings out all the male and female protagonists and male and female partners, and can also make the character go deeper. This is a skill. A woman with a thick line goes from not being a professor to being a professor, from being appeased by her boss to being exiled by her boss. This is called an optimistic attitude in life. While crying and reciting lines, this is the long-term flow of the screenwriter's ability to understand people's hearts. A screenwriter who can write such a variety must be a scholar, and he has carefully studied the rules of story construction in the class. But it can't even talk about the wonderful brushwork. Shenghua Miaobi is reserved for the gods, who do not reason with reason, but only about feelings. The gods emphasize expression rather than explanation. Gein's reasoning is always clear, but feelings are not always clear. So I love Jinbian not to write about the height of life and the importance of family and country. This kind of thing does not need the blessing of natural power. I love Jinbian, I only love what she said through Xiao Song's mouth, "if you like it, say it", such a dialogue, that's all. Let's meet if you want. Date if you are single. Say it if you like. You said it was classmate Xiao Song who was flirting with her sister, but you didn't see two older men and women who were talking in the dialogue, smiling sweetly, idiots and idiots. In fact, it's just that I can't help it. When I meet the right person, no matter how reserved it is, I will become a big hand. The characters are actually outdated. The subject matter is not new. Jinbian is still standing in the 21st century, just because her heart, probably like Qiao Mei's face, is stained with fairy water, forever holding the pulse and heartbeat of an eighteen-year-old girl. Not bad in seconds. It is the proper meaning of romance dramas to make people in love shine. I've heard a lot of truths, but I still can't live my life well. After watching a lot of Korean dramas, the male and female guests who are like-minded and successful, are not talking about love. We have time to talk about reason and logic, and we have space to brag about illusory values. But all of this is precisely the least important thing in love. Superficial joy like a dream, fleeting joy, is the great bargain that can be encountered and unattainable, and that God favors. The great bargains here are hard to find in life, so it is difficult to appear in the story alive. Presumably, too few people have seriously talked about such a delightful love. So I say that Jinbian must have extremely rich emotional experience, meticulous observation, and understanding. It is not a pile of old papers. A few days of immersing yourself in reading can make something beautiful. It has to be physical, physical, physical. In the process of watching this drama, there is also a girl No. 3. The girl No. 3 said: If this show is like other Korean dramas, it will only be moved when it talks about the stars, the moon, life, and ideals when it comes to the fourth episode. Only Song has a peerless beauty with her own highlights. That's right, I'm the Yangou who cares more than anything. A domineering dog who thinks talking about morality is blaspheming love. What? Ryu Shijin and Jiang Muyan broke up because of different values? It doesn't matter, they will still be together. Jinbian will use the remaining fourteen episodes to tell us, one loves saving people, the other loves to cut people, how these two people used their beauty to raze the value gap that is higher than the sky and deeper than the sea. Then he said deeply that this is a spiritual healing blockbuster. ——Fuck, healing starts from seductive eyes~ When I met you, I was happy, I called to hear your voice, and then looked at your profile in the dim light of the cinema. A look back before the helicopter took off, like a letter in the wind. It's the joy of laughing at a rib fluoroscopic photo. It's a headache that gives me a headache looking at the wound. It's the numbness that sticks to the teeth, and it's the crispy and intoxicated. It is the helpless greed of people who can't fall in love. It's a promise that despises love at first sight. It is the courage to run forward with the thumping heartbeat. It's chic, it's attitude, it's ageless restlessness, it's the ultimate romance. It's Jin Dashen editor who used a glance for ten thousand years to get rid of the rotten wine in his head ʅ（´◔౪◔）ʃ Cherish Jinbian. Just like cherishing Xiao Song's half-smiling eyes. Most of the screenwriters these days are like the impatient boss, who only make the protagonist "just figure it out". It seems that being in the same camp morally/interestedly can be a happy date. This matter, really does not depend on thinking... Like-minded people are food to satisfy their hunger, and lightning and flint are intoxicating wine. Being intoxicated is a physical/spiritual need higher than food and clothing. Just let someone stay drunk for a little longer in the fascination of this lightning bolt. [Episodes 3-4] I didn't expect you to be such a man. After watching the fourth episode, he covered his book and pondered for a long time, slowly unlocked his phone, and dialed three numbers: Yao Yao Zero. ——Uncle police, come and stop this group of dog abusers! As a poor single animal, when standing alone on the street, he never forgets to add a noble and glamorous character to himself: Well, the couples who don't look good to the audience show their affection, it really makes people feel like a dog-blooded feature film actor going to the wrong studio and trying to force an idol drama. Not envious at all. Well, I'm sorry for their emotional intelligence. The couple who are in their third year will also show their affection. They missed the last train of puberty and puppy love. At this time, I was the first to hold the hand of the opposite sex, and I was only excited to hear it. I think it would be better to listen to my second year. My little brother taught me about love. Well, as a cold and single canine animal, it is natural to have a passion for emerald canine food, which is a must-have device for high-level creatures. So to those people on the side of the road who hold hands tightly, open their mouths and shut their mouths, but they are all eating, drinking, sleeping, and not pursuing people, cast a deep doge face. The daily life of single animals is so busy, not only has in-depth observation of various types of dog abuse organizations, but also makes detailed comments like the above from time to time. Until the day I met Yoo Si-jin and Kang Mo-yeon, all the pride of my single canine tooth-eating puppy disappeared. The love between Liu Shizhen and Jiang Muyan is so good, the audience is like me, so envious, so jealous. If the first two episodes are just two beautiful shows of Song Dynasty, then the third or fourth episodes are to make the heart beat this time for a thousand years. Liu Shizhen is beautiful, he knows this, so he will say it confidently, and say it if he likes it. Liu Shizhen is the ninth dan of flirting. He also knows this, so he will borrow red wine and bite his red lips. But the most important thing is probably Jiang Muyan's comment. After Liu Shizhen used a car date to waste that awesome golden card, Jiang Muyan said: I didn't expect you to be such a person. Such unambitious people. Why does he need ambition. Ten minutes later is the memorial service for comrades-in-arms. The military uniform is the shroud, the grace and danger of walking on the broken string every minute, for such a Ryu Shi-jin, who is so lucky to know you, and the legendary oil in the Arab world, the judgment is made. So the last one is that Yoo Shi-jin is the hero in love. Probably only the attributes of a soldier, and the will to die like Liu Shizhen, can be qualified to throw away that gold card lightly, creating a peerless pretending to be a confidant in a rage. Life is alive, so happy. The operation of the battle against the soldiers is equally solvable. Just like what Liu Shizhen said to Jiang Muyan, I am not doing this for a woman, I am doing this for the honor and sense of responsibility of all my soldiers. All my decisions include these. Every decision Liu Shizhen made was made without violating his duty as a soldier. As for why it seems to please the girl? He could only feel that he met a good girl, Jiang Muyan, who pretended to be a bad person all the time, but in his heart he was always standing with him. Therefore, Jiang Muyan, who is very good at mathematics, will be very righteous to ask for a gold card for Liu Shizhen, and hand over a plate of mosquito coils, knowing that he will be sad, but also insisting on attending the memorial service. This is all a manifestation of Jiang Muyan, who dislikes honesty and integrity, step by step, retreating from principles, or, in other words, finding her own way. The first one said that I don't want to talk about values. Talking about values in romantic dramas is really of little interest . So this is the end of this article: You only need to know that Jiang Muyan and Liu Shizhen are the kind of lovers who are excited when they meet, and even more excited when they meet deeply. . Such couples don't need much guesswork and back and forth. Liu Shizhen is a hero in love, and Jiang Muyan will definitely make her own choice. What Jin Bian did was to show us how a normal couple should get along. Because the pink index was too high, it was suspected that blood red had caused countless human tragedies. Single animals with fragile hearts could take a step back and hand over the crime scene to I cleaned it up by myself 23333333333333 PS: Romance dramas are not going to be unobstructed and unobstructed. From the very beginning, if you and I are united forever, the story will not go on. Therefore, it is always necessary to set up conflicts and resolve them to advance the plot and sublimate feelings. But there are different ways to set anchor segments. (The premise is that there is a possibility of loving each other, and one does not love the other at all…) The first and oldest conflict setting method is Romeo and Juliet. The so-called family pressure means that the protagonist has the will to resist. But not enough power. The successor to the previous Jinbian is just like that. Everyone is familiar with this pattern. Also in this category are the separation of the protagonists caused by various force majeures, such as Zhen Huan and King Guojun. The second layer is the estrangement between the male and female protagonists due to various misunderstandings. The protagonist also has the will to resist, but many years are wasted due to the effect of external misunderstandings, such as "Why Sheng Xiao Mo", and the very classic "male protagonist" in various dramas When you are close to others, the heroine will always be there". The third layer also comes from the outside, but due to the strong controllability of the protagonist itself, most of this pressure comes from the protagonist's consideration of himself. Although they love each other and have room for their own opinions, they still voluntarily give up their lover for a certain value. It's like wanting to love but not daring to love. For example, some unreasonable beliefs (Yu Xiulian and Li Mubai/Gong Er and Ye Wen), such as career prospects (Chen Xiaozheng and Zheng Wei), such as post-traumatic sequelae (The handsome Wu Dashuai who dare not love in "Fuck Off Tumor Jun") ). The contradictions in the fourth layer all come from within the protagonist, because the two sides do not agree with each other's values and other multiple psychological conditions, which makes the running-in period particularly difficult. The difference between this layer and the third layer is that the love between the contradictory protagonists of the third layer is beyond doubt, while the fourth love will take time to clear out. And this kind of love story is also the most exquisite and moving, such as "Summer Palace", such as "Millennium Mambo", there are also some well described in TV dramas, such as He Xiaoyu's choice to Liang Jinglun in "No War in Peiping" Abandonment, the opponent Meng Ao's resistance to acceptance is a process of self-struggle. My love of love stories is in this order. Because the further back, the more there is no way to go, the more the screenwriter is required to come up with new ideas, the closer they can get to the essence of love, the more they know what pure love is, and whether two people who love each other without any external influence are right. The word love is the best footnote. The two major CPs in this play, the male and female protagonists are a combination of the third and fourth floors, which are relatively high-end and attractive. The combination of the first layer and the second layer of male and female accessories, the contradictory structure is relatively simple. However, there is always a however. Insufficient in the overall structure of the story When it is missing, what is left is when the bridge is used as the line, and the lines are shining as the point. The love between men and women is fascinating, and it is Jinbian's always strong bridge structure and line weaving ability. If nothing else, I use a scene where the male and female protagonists take a boat ride to recount the acquaintance of the male and female partners. At the same time, I go in and unravel the mystery. One is the future of the male and female leads, and the other is the past of the male and female partners. Thanks to her thinking— How well other shows have struggled to get a role in the main and supporting roles. We generally say that we don't like emotionally entangled plots, and we like stories with two parallel lines between male and female protagonists and male and female characters. But this will easily cause the two stories to go their separate ways, and the plots cannot be connected in series. Currently, there are some seemingly far-fetched relationships between the four of them. Let's see what the writers do next. Talking for a while. [Episodes 5-6] At the beginning of Descendants of the Sun, an Amway point of this show was that the rhythm was fast, but when I saw the fifth episode, I felt that it was not too fast. Emotionally, the female protagonist is still hesitating, and the point of hesitation is the same as the first episode: although the male protagonist is charming, it is too dangerous. So the male and female protagonists have been together in Uruk for so long, and there is no difference between the emotional adhesion and the first episode. In terms of the plot, Captain Argus' drug clues are still obscure and unclear. In this episode, only Director Chen is revealed. How many times has the scene where a brother died trying to save Private Ryan has been replayed? Neither emotional dramas nor anti-drug dramas reflecting military backgrounds have been able to advance further. Waste of two episodes. Speaking of characters, Jin Bian has always been good at writing group dramas, and sometimes even makes the protagonist suffer in order to write a good supporting role. However, in this drama, most of the time is left to the interaction between the male and female protagonists. Naturally, the other characters who appeared in the past were not impressed enough. There are already many supporting characters with names in this play, but they are not enough to be distracted. The rich second-generation doctor played by Wen Liu seems to be called Li Zhixun. The earthquake drama has given a lot of room to play, but the effect is still not moving enough - this kind of doctor's choice itself is an excellent subject, no matter how you write it, it will not be too much. It's bad, but as a gold editor, it's a pity that it's done to this extent. The male two female two are still the bright spots, mainly because the characters are cute and the female second is arrogant. The biggest advantage is that they have no self-esteem and are awkward and cute. The second male is sullen and sullen, with iron bones and soft intestines. This one is very, very my favorite. But as I mentioned before, in order to have two emotional lines intertwined, one side relies on the fake marriage contract between the male lead and the second female lead, and the other relies on the basic friendship between the male lead and the second male lead. Jinbian's strengths have always been in the small details, which makes people feel emotional. The description of the major events is a little bit vague, and the structure is still vague. The highlight of the sixth episode is the earthquake in the second half. Earthquake, understanding, on the one hand showing the bravery of the soldiers, and on the other hand showing the doctors and angels in white, is an excellent opportunity to reflect the professional ethics of the two people. Moreover, while Jiang Muyan disliked Liu Shizhen's dangerous work and complained about the life attitude between the two people, she gave up the opportunity to return to China and immediately went to the forefront of saving lives and helping the wounded. So the earthquake side made separate sketches for the two tall people, and fought side by side as good comrades-in-arms. While connecting the two together, no matter how Jiang Muyan defines herself, she is the same person as Liu Shizhen in her bones. It's just that as long as the state officials set the fire and the people are not allowed to light the lights, it doesn't matter if he is in the wind or rain, Liu Shizhen will not be able to. The earthquake gave the audience a chance to feel the vocation of a soldier and a doctor, and also gave Jiang Muyan a chance to know her true self. That's why Liu Shizhen ties Jiang Muyan's shoelaces on the poster. This pair of shoes was a gift from the wounded that Jiang Muyan received after a tiring day of running around. It is an award to commend Jiang Muyan for standing upright and strong in the position of a doctor, worthy of her vows at the graduation ceremony. In the night fog, Jiang Muyan saw Liu Shizhen who came to the rescue. A thousand words, you pay attention to safety, and so do you. I know each other too well, I know the other side's position too much, although I care about each other, but because I know it, I have no position to let the other side withdraw from this battlefield, this battlefield that fights the god of death. Because he is a very hard soldier, she is a very busy doctor. He can't persuade her to leave like the soldier at the airport because he understands her. He couldn't stand by her side all the time to ensure her safety after the earthquake. All he could do was tie her shoelaces. Only such a tender moment. This action is a commendation from a comrade-in-arms and a tenderness from a lover. The weight of this feeling is exactly the same as the smile when Xu Daying heard that he gave up his vacation when he boarded the plane. It doesn't need to be said. You and I understand that because it is the deepest, it is difficult to express. So does she. She knew the danger here and that he could give his life for himself. But at the moment, I can only say to pay attention to safety, because there are too many people waiting for them to rescue, how can they stay in the relationship for too long. All she could do was stare tenderly and accept this respect and concern when he was tying his shoelaces. I remember Liu Shizhen asking Jiang Muyan: What is patriotism? Patriotism is not so lofty, it is so ordinary. When you meet it, you can't help but do it. So did Jiang Muyan, she worked hard to return to her original position. But when it really came to the earthquake, the vows at graduation sounded clearly in her ears, and she realized that she had never forgotten. not only Doctors and soldiers. Protecting the elderly, beauties and children is a feeling that anyone in any position will have. We have also experienced earthquakes, and the goodness of human nature is always there. Said to be patriotic, in fact, just love. Regardless of religion, race, nationality, I want them to be very good, that kind of absolute respect for life. Jiang Muyan asked Liu Shizhen why she wanted to be a soldier. But later, she no longer needed Yoo Shi-jin's answer, such a dangerous thing is not only done by soldiers. She will do it too. Everyone has the urge to want to do something useful, to get out of the way, to pursue a little something. When Jiang Muyan was reciting that oath, I remembered the Hippocratic oath that laid the foundation of modern medical ethics. The first sentence was the oath in the name of the sun god Apollo. Apollo, the god of medicine. So I suddenly understood where the five words "Descendants of the Sun" came from. Doctors, soldiers, and people who build solar power plants overseas are all trying to do a little bit to protect the elderly, beauties and people. child. Tucao at the end: Why write about earthquakes? Why not change the background? Can the above content be expressed? Why not write about war? The occurrence of war is inevitable, and it can promote the development of the plot and reflect the duty of soldiers. Why write about earthquakes? What if there is no earthquake here? What about accidental events such as earthquakes? Can Jiang Muyan go back to China? Probably because earthquakes are easy to write about, but wars are hard to write about. The screenwriter chose the easy path, which is naturally the less beautiful path. Earthquake is a bad idea. [Episodes Seven-Eight] The group portraits are taken from the subtitles above, and are not the center of this article. What is the center of this article? Try to analyze Jinbian's drama that looks like a group drama but is not a group drama. Continuing the plot of the sixth episode, the seventh episode and the eighth episode are still focused on the earthquake relief. Earthquake relief is a group of soldiers, doctors, wounded, profiteers. There are several types of doctors, such as the female protagonist who grows rapidly, the second female who is not willing to fall behind under the inspiration of the female protagonist, and those who are still young like Li Zhixun. There are also several types of wounded, those who are helpless, those who are brave for the sake of their children, and those who selflessly give up their lives for the sake of others. The group portrait after the earthquake is similar to the propaganda picture of a certain country. If it weren't for the profiteer Chen Yongshou jumping out, I could hardly help sing, "This world is full of sunshine!" Too thin and too rigid. In fact, because it is a romantic drama, the main line still has to return to falling in love, so the heroine cried a lot after she personally decided that the person who died was the monitor Gao, and the hero was comforted by a joke. Probably to say that the heroine is strong enough, but this... respect her as a man, this Really too strong. Just like watching the news, most of the deaths and injuries after the disaster we will not know, we will only see the bright stars in the dark night, thinking that this is all. Therefore, this disaster relief drama is not enjoyable to watch, however, it seems that it cannot be written more enjoyable-how to balance love and others seems to have always been a problem that Korean dramas with dual narratives have not been able to solve. After all, time is limited, and the pen force is heavier on one place, and the other side will naturally be lighter. It seems that because of Shuangsong's too bright appearance, Jinbian, who has always been good at writing group dramas, did not give too much room to other supporting roles. The disaster relief lasted nearly three episodes, and the shadows of the characters were still blurred. Is the difference between the second male lead and the male lead, only one can flirt and the other can't? Is the difference between the heroine and the second female, only one can decide to perform surgery in the dust at the first time, and the other can decide at the second time? All of them are giggling, outgoing, and occasionally dejected. These are all settings, which look good, but are actually useless character settings, not the characters themselves. Not to mention the rest, let's just say that Jin compiled the last "The Heirs", and every supporting role can see a very complete logic and life trajectory, which is the so-called character arc, and can make a character short story: Chan Rong's warm home is in the same line as his warm personality, Yu Pie's paranoia and kindness after being abandoned by his mother, Rachel Liu's coldness and fragility, and Senior Yin's forbearance and perseverance are all living characters who can stand up. Characters do not have to have a history, but at least a current background. But "The Queen Mother", unfortunately, disaster relief is such an activity that everyone can participate in, there is still no hierarchy between the characters, and there is no scattered development. Speaking of which, among the several supporting roles, the one who is more forcefully created and the character's emotional development and changes are relatively clear should be Onew's Li Zhixun, but due to various factors, his sense of existence is still limited. After the story is over, let's get back to love. I think it's really good that the male protagonist told the female protagonist in episode 7 that I miss you, especially good. Because this part is a turning point for the heroine. The heroine called a colleague in the hospital, and the colleague said, do you want to be Schweitzer? The hostess said, in fact, I am such a doctor. Yes, in fact, she is such a doctor. If she watched Liu Shizhen in the wind and rain before, she would complain about why he couldn't accompany her. At this time, when she really participated in Liu Shizhen's daily work, the former barrier would disappear. She would realize that it didn't take a lot of determination to give, and neither did I. Because of her own practice, she can realize that Liu Shizhen is obliged to the task and helpless to herself every time she is on standby. Before experiencing the earthquake together, Yoo Shi-jin could When I returned to China, I sat on the bus next to Jiang Muyan and felt acacia, and said in a slightly relaxed tone that I was dumped again. But after experiencing the earthquake together, he was no longer at that level with Jiang Muyan. He could be like a prudent adult, working hard and still missing the brakes. At this time, it's really great to let Liu Shizhen, who can rest for a while, confess like this, and it's not abrupt at all. For her, Jiang Muyan was not just the first impulse, or the object he wanted to protect as a soldier, she was his lover, friend, and close relative that he loved, admired, relied on, and fascinated. The earthquake scene does not seem to be about love, but it is about love everywhere. When Jiang Muyan called Daniel to ask for reinforcements, we were watching her, and Yoo Shijin was also watching her. When Liu Shizhen almost died, we were worried, and Jiang Muyan was also worried. Or those times when she's not by his side, and when he's not by her side, but because they're both going through the same danger, scrambling to make the same hard choices, less-than-perfect jobs, so even if it's not seeing and hearing, You can also know very deeply how the other party feels at this moment, how lovely, respectable, and amiable. Not holding hands, but already caring. Earthquake drama is not successful in taking the characters deeper, but it does a good job in making love hotter. Finally, I hope that the screenwriter will give more scenes to the male and female characters. Jin Jiu and Jin Zhiyuan are both my favorites. The female characters are too cute, and the male characters are generally not designed enough to be touched, but the female chasing the male is very chemical and frictional. , Collision collision, hurry up and shine, Pikachu! [Episodes 9-10] It's not that Jiang Muyan, a high school student, retreats step by step, two steps, three steps, four steps, but because she is afraid that Yoo Shi Jin's work will not make her feel beautiful. Xu Darong couldn't come forward because he was afraid that he would make Yin Mingzhu's mood not beautiful at work. Seems like a big problem. Not really worth mentioning. Because Jin Bian's subordinates are four middle-aged old people in their early thirties/Fengyue Field who have walked back and forth several times. It's not a high school student who secretly writes love letters while trembling with teachers and parents to launch an all-round intelligence station. Not a high school student, why can't love and work have the best of both worlds? Why can't a middle-aged person with an independent personality handle the relationship between the two? Because of Liu Shizhen's work, Jiang Muyan can't enjoy the thoughtfulness from her boyfriend all the time, which seems incomprehensible. But if Jiang Muyan really deserves the love from Liu Shizhen, then this kind of separation and independence must be mutual. Jiang Muyan is also a person who needs work and personal space. If Jiang Muyan only enjoys a sticky and sweet life like everyone else, I'm afraid it won't be Liu Shi anymore. In Zhen's eyes, Jiang Muyan is always charming. Because of Yin Mingzhu's career ambitions, Xu Darong had to hide his heart deliberately. Seems more incomprehensible. However, in fact, if it is achieved by relying on her boyfriend, I am afraid that it will not be worthy of Yin Mingzhu, the ambition of this general girl who wants to work hard alone. That's why Yin Mingzhu is the lovely Yin Mingzhu. Bastard green beans, turtles and soft-shelled turtles. Jiang Muyan, who loves the elderly, children and the naked male soldier, will never miss Yoo Si-jin who loves the elderly, children and beauties. Yin Mingzhu, who wants to become a general, will never give up Xu Darong and his self-esteem because of his career. In fact, it all comes naturally. I finally opened Jianbing this week, and in the future it will be a small fight, Shen Zhiai or Wang Zhiai, they are both the flavoring agent of ordinary daily life, the cosine sound of tense life. Warm congratulations to the two newlyweds who finally stopped competing with themselves, the newcomers who got rid of the unattainable love and work and the dregs of high school students. Therefore, it is not surprising that Jiang Muyan, who drove a car to rescue Liu Shizhen, stepped into the minefield one by one to dig a hole for himself and then jumped down willingly. All sweet and exciting. The right love should be a pure and beautiful help in work. The line of Argus has always been shy and still holding a lute. This episode let the commander reveal the forces behind Argus, the next episode Jiang Muyan was kidnapped, and the last six episodes seemed to be spent on this matter. This structure is actually a bit regrettable. The first ten episodes are all about love, the tenth episode of love problems is all solved, and the last six episodes are almost all about military combat. Divided into two, combined bluntly, the settings are not clever enough. It is not the imaginary shape of being in the same boat as each other in the smoke of war. Director Chen is not afraid of death and rushes to eat diamonds. Because he has not read A Dream of Red Mansions, raw gold can fall to death, and it is conceivable that diamonds can damage the intestines. Director Chen can pull it out and swallow it again- - So there are two beauties who will be the unlucky one who is tested positive. It stands to reason that the protagonist should have more drama stories. I thought it would be Jiang Muyan at first. Later, when I saw the preview of the next episode, I knew why Yin Mingzhu got sick. In the next episode, Jiang Muyan has to be kidnapped. Kidnapping is more interesting than being sick. So Yin Mingzhu is just lying down and pretending to be a patient, and Jiang Muyan has to continue to play Uruk's car-destroying battle. Let's end the Onew scene soon. . . So things have dragged on for a few episodes, and adding drama is not so much. Have to have a disaster later and then apologize with death? Orz screenwriters won't let this kid die. . ' [Episodes 11-12] Brain Hole If the male and female protagonists switch positions, what should the audience experience now? If Jiang Muyan saved Liu Shizhen's life over and over again, he would first think of the other party when saving his life, and after saving him, he would say that you made me feel very panicked, so I had to break up. The reason why Jiang Muyan broke up in episode 12 can be explained, but it is difficult. It's always dangerous to be around a man with a gun. He was not the kind of man she could handle, she said. Translated into the vernacular, or your work makes me feel insecure. Looking back to see what kind of person Jiang Muyan was. A person would drive into a ditch, and he had to take care of his business. When he returned to China, he had to temporarily run off the plane for earthquake relief. In order to save a little girl, he ran to the police station and was kidnapped... It can be said that she was passionate, so she was Make yourself so troublesome. The problem is that Liu Shizhen's troubles didn't come from his blood. What's more, Jiang Muyan was a little more reckless than Liu Shizhen, which didn't match her IQ. At least Yoo Shi-jin has a plan and ability to be a lone hero. In this way, with Jiang Muyan's insecurity factor, she has no position to dislike Liu Shizhen's unpredictability. Her only remark seems to be that Liu Shizhen often lies... Jiang Muyan, Jiang Muyan, she is someone who can make decisions without saying hello, so why bother with the uncontrollability of others. To sum up, I think the 12 episodes are out, the screenwriter really can't write the plot, and it is used to make up time. After all, from the first episode to now, I feel that you are too mysterious, and I am afraid that I will lose this reason. It has been used three times by Jiang Muyan... The same reason has been used three times. As a love-based story, it seems really Very boring and very unlayered. In contrast, the second female's "I don't feel afraid of anything with him" makes people feel very pure and cute. Isn't she afraid? Of course, she is afraid that when the disease comes, the earthquake comes, she will panic and helpless. But she believed him. She feels that love can overcome cowardice and cowardice in ordinary everyday life. Jiang Muyan's concerns are actually understandable, but judging from the development of the plot, the contradictions are so monotonous and repetitive at the end of the play, which is not good enough. Judging from the audience's mentality, Jiang Muyan's concerns are too routine. Everyday love is so powerless. Any worry can defeat love. We can do it for money, fame, security, future, and life stability. Doubt about love. Is this everyday and mediocre thing worth celebrating so beautifully? I don't think so. This kind of love is not only ordinary but also superficial, not worthy of praise, not worthy of reproach, nor needs to be explained, and naturally not profound. In fact, twelve episodes have been written, and the emotions between them are still in the same breath, and there is no room for digging deeper. So almost instantly, almost quickly, the heroine regretted it. I think my idea is still correct. Writers use it to make time. The heroine's decision to break up and reconcile is so simple, the reasons are so insufficient, and the psychological changes are so quick. Just to make time. [Episodes 13-16] I had a lot of expectations at the beginning of this drama. Qualified cast, mature screenwriters, and attractive subject matter, everything seems perfect. This drama review was also opened with joy at the beginning. But as the story progressed, I realized more and more that it wasn't like that. And what's even more tragic is that the reason why this show is getting more and more ugly is exactly what I thought at the beginning was the guarantee of a good drama. Cast, Xiao Song and Qiao Mei are all Yan Mei's acting skills. But after seeing it, these have become constraints. From the beginning to the end of the plot, iQIYI's marketing hotspot has always been inseparable from the word "sister", indeed, too dazzling appearance makes people ignore this script and there is a greater possibility - and lose patience at the same time It was the screenwriter himself. And Qiao Mei's acting skills have also become the problem. Passing the test means being skilled, and being skilled means being stylized. Whenever I see Qiao Mei's calm and familiar smile with a fixed arc after being teased, I want to complain: Liu Shizhen is always so calm in front of a mysterious black hole without any trace of heartbeat, and her acting skills are certainly not low in life. , in the play, the diaphragm is always jerky. Too familiar. screenwriter. Jinbian has always been a guarantee of ratings and a guarantee of popularity. But like the popular traffic and fresh meat, the screenwriter of Jin Da, who cares about the ratings, the burden of idols is not generally heavy. In recent years, it has been following the rules, with few breakthroughs. The script is strictly based on the elements of female aphrodisiacs. One, two, three, four, five. The last play "The Heirs" relied on strong blood and group drama to cover up the paleness and weakness of the protagonist and the main line. In this play, the blood is gone, the group drama is gone, and the main line is gone. Powerlessness is revealed. theme. Thirty-year-old love story is the beginning of many people's interest in the show. me too. I thought I could talk about a mature relationship. Jin Bian has worked hard, but she can't let go of her obsession with routines. Xiaobai's way of writing mature love is very empty and superficial. A feudal old society parent who has no blood, no villains, no promiscuous boys, no evil feudal parents, no so-called feud, after all the stalks that can quickly and concisely create conflicts are lost, where can Korean dramas go? Jin Bian handed in a failing test. So it was a refreshing failure. Most of the points and pits that make the story tacky are avoided, but on the whole, it is still tacky. If you keep the details, you lose the big picture. In the end, neither their love nor their careers, I was not infected. I won't be watching Kim's dramas anymore. ---------End---------
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