Until the police debut, I can barely watch the film after that, but there are still many problems in the details. The police don't give priority to looking for clues from the male protagonist's wife. Since you want to suspect the male protagonist, shouldn't this matter? priority? Just look at the male protagonist's expression and behavior to doubt without authorization. The second loophole is a continuation of the first point. The identity of the male protagonist's brother is not confirmed. Even the police complained about themselves until the end, and the identity of the male protagonist's brother was not confirmed. Leaving aside the loopholes, the rhythm of the second half has finally returned to normal, and the plot development has begun to become natural. In the end, the pot was still written by the screenwriter, the bomb would still explode if it got into the water, and the male protagonist dived into the water without saying a word, and finally managed to survive without giving face to the gangsters at all!
I have never sympathized with the male protagonist from the very beginning, because if I can be targeted, I must also do shameful deeds. The male protagonist is both the victim and the murderer. The gangster got into the car and told everything, the two of them understood each other, but unfortunately there was no turning back. Through this incident, the male protagonist finally repented and started a new life. The most pitiful and most sympathetic, isn't it a gangster?
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