Can you love me?
Will you marry me?
I believe that as long as you are a woman, you will be moved by the three-line love letter from your big cousin, and I, in addition to saying three Yes, will wipe away my coveted saliva and sigh with emotion. Absolutely beautiful man. Not much to say, my big cousin is my big motivation for chasing dramas, with charming blue eyes and a touching English voice, how many times I have been excited in front of the screen, and how many times I have been heartbroken in my sleep. It is said that the BBC is really a friend of female audiences, so the old Uncle Colin went swimming, and now there is a big cousin who is wet and chopping wood, but the white shirt that is full of temptation has not changed.
"Sense and Sensibility" is Jane Austen's debut novel, which tells the story of how a pair of sisters with different personalities treat love and finally harvest happiness. The plot has certain similarities with "Pride and Prejudice", such as the ending of two pairs of sisters' lovers getting married. But it is said that the author herself has never been married and is alone. When I first heard the news, I was dumbfounded. Later, I came to understand that she may use her works to talk about her lost beauty and fantasy. After all, looking for a partner is not about picking cabbage. Without the fit of the spiritual world, you can only be speechless when you look at each other.
In terms of temperament, the elder sister Eleanor is dignified and stable, and does not reveal her true feelings; The images of the two of them are, to some extent, Jane and Elizabeth. Here's a quote from Shakespeare - the road to true love has never been smooth, and the two sisters' journey of chasing love also echoes this sentence. Eleanor and Edward were supposed to fall in love at first sight, but the man was unwilling to respond to their relationship, and would only implicitly say that the days with you were my happiest time. The reason is that there is another girl in the countryside who has a private lifelong relationship with him. The game between reason and emotion makes Edward extremely contradictory, and his subsequent appearances are almost always with a tangle of unwillingness and inability to struggle. Fortunately, he did not get carried away by primitive desires and chose reason, in fact he did choose reason (Eleanor). On the contrary, Willoughby has always been unrestrained in dealing with feelings. He has just hooked up with a young girl who is not yet mature in body and mind, and then comes to the hero to rescue beauty and talk about love. I have to admit that the playboy does have a special set of skills for flirting with girls. The famous famous sayings are handy, the gifts are given to the girls, and even the ambiguous atmosphere of rubbing fingers on the stairs is handled just right. It's a pity that his betrayal made Emotion (Marianne) recognize the reality and face up to his own heart.
In the end, I still like Eleanor a little more, because of her temperament and her forbearance and restraint. When she learns of Edward's fiancee's existence, her world is shattered. But she didn't confide a word to anyone, not even her own sister, despite this grief. She still listened to her rival's harshest words, listened to her sister sharing her happiness, and then painted, bought fish, and peeled beans by herself. The most beautiful scene is when she sits on a bench by the sea, listening to the whistling of the sea breeze and watching the rippling sea water. At this moment, she seems to be integrated with the background where the water and the sky meet, and it seems that nothing can stop her long-lasting thoughts. It was frozen here for a few seconds, and I was completely overwhelmed by her back. Seeing that her daughter was unhappy, her mother couldn't help but want to write a letter to Edward, but this behavior was also strongly stopped by Eleanor. She hoped that the initiative of her sweetheart was not forced by pressure or helplessness, but instead. It was he who really wanted to carry out this action.
In the end, I sighed that the British drama circle is really small enough, such as Mike, Big Cousin, Dominic Cooper, Daisy Haggard, they are all familiar masters. Dominic is obviously quite good-looking among the boys in the history department. Why is the classical appearance a bit wretched? What competitive advantages does Willoughby have compared to the colonel? I've seen several of Daisy's films, including Uncle Cinderella and The Story of Mad City, and this one is a role that is so exaggerated. Mike's play is too broad to comment here. The last film I saw of him was London Spy. This contrast made me burst out laughing across the screen.
The big cousin who catches the chicken at the end is another cute point.
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