The story is full, the characters are distinct, the supporting characters are still brilliant, and the fighting style is not diminished, all of which are worthy of praise.
Rivers and lakes and feelings, after all, are still Ang Lee's world 16 years ago. I think the gap between an excellent director and a great director is the exploration of the soul.
Li An's Li Mubai is not looking for rivers and lakes, not lovers, not apprentices, not even love, but his own heart. Therefore, what Crouching Tiger, Hidden Dragon tells is the inner drama of a hero, and it is not everyone's inner drama. Li Mubai didn't know what he wanted, but a few of us understood.
The reason why Ang Lee is great is because he has been searching for himself for so many years. Lust and Caution are like this, and so are the juvenile pie.
The reason why Yuan Heping is excellent is because he has his own rivers and lakes, and in that rivers and lakes, every little bit is his own hard work.
In the light of the perfect movie, the weaknesses are undoubtedly exposed, the skills of the actors are dwarfed, the villain does not have the bad heart of the blue-eyed fox, and the younger generation does not have the domineering, affectionate, and tiger-like spirit of Zhang Zhenluo and Xiaohu. Of course, the important thing is that in 2000, sister Ziyi and Wang Feng were not as disgusting as they are now. Her movies can be watched seriously.
The fight between Michelle Yeoh and Zhang Ziyi in the courtyard, the fight between Chow Yun-fat and Zheng Peipei outside the courtyard, and the fight in Zhang Ziyi's teahouse, this scene is not the memory of Crouching Tiger, Hidden Dragon, but the memory of the entire Chinese film martial arts history.
That comparison, the sequel is, um.
Tangshan Dart Li, follow his brother, Xiangxi Boomerang, follow his brother, Luzhong Iron Fist King, and play with him. Four supporting roles, the way of chivalry.
The rivers and lakes are crouching tigers, hidden dragons, and people's hearts are not.
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