The first story is about the gradual change of feelings
. Is there a moment in your life, that person, you have been close and have nothing to say. Time takes everything away silently, too many things happen. Gradually, you don't like him that much, you get impatient with him, and then you even want him to die. You pray that he was hit by a car when he went out, choked to death by a meteorite while drinking water! It's not enough to just die, you have to cut off eight pieces to feed the dog to relieve the hatred in your heart. If murder is not illegal, you would have killed him more than 300 times. If a grenade costs one dollar, you would have thrown him at least two thousand dollars. Finally, on a certain day in a certain month of a certain year, you killed him in your heart. You two separate, leave, and disappear in each other's lives forever. At that time, will you remember those good, tender, sweet and joyful times? Ashin remembered, he chose suicide. If you haven't experienced it and can't imagine the feeling, wait and watch the movie later - you'll experience it sooner or later.
The second story is about perseverance and giving up.
The beautiful young woman artist Yoko always has a lot of wonderful advertising ideas, and she keeps all the ideas in the tape recorder she carries with her. The only pity is that Yoko's magician boyfriend doesn't appreciate her very much, and it's not just that she doesn't appreciate her, but it's not an exaggeration to say that she is contemptuous. If the person closest to you treats you with contempt for a long period of time and is dismissive of things you hold dear, it's not too much to kill him.
Yoko asks someone to kill her boyfriend and loses her most precious tape recorder full of all her genius ideas. Yoko ran and ran, searched and searched, and found that it was no big deal.
No matter what's going on, give it a moment and you'll find out: Hey! No big deal either.
The third story is about the sense of distance between people
The same needs to be said before the statement: thieves also have feelings. In fact, not only thieves have feelings, but also murderers, beggars, terrorists, refugees, they all have feelings. Not only do they have feelings, they are even more colorful than yours and mine. So, if you think it's okay to greet a waiter's mom and grandma at will, be prepared to have a pot of boiling water poured over your head.
Well, back to the sense of distance. I'm getting old, but I've never said "I love you" to my parents or hugged them. In fact, I haven't lived with them for more than ten years, and only get together on New Year's and holidays. The older you are, the greater the difference in living habits and ways of thinking. When I was young, I would speak out and argue with each other. When I grow up, I no longer quarrel, but silence is even more alienated. We all know each other is one of the most important people in our lives, and I love them and they love me. But how should I express it? Wouldn't it be weird to suddenly say "I love you" when nothing happened? After more than a decade and a few decades, our communication has become less and less, and the more difficult it is to express our closeness, will we still believe in each other's love? For parents who get along day and night, blood is thicker than water, there is still such a gap, what about others?
The sense of distance has nothing to do with distance, close at hand, but far away. Fortunately, the director gave us a warm ending.
The fourth story is about love and tolerance.
If, if your father became a bird, would you still love him, tolerate him, and encourage him?
You say you can.
So, to the father or mother who is getting old, stubborn in thinking, stubborn in temper, nagging, old and frail, have you always loved him, tolerated him, and encouraged him?
How can you believe you'll love a dad who turns into a bird if you don't? The younger son did it, and with the encouragement and help of his son, the bird father finally learned to fly!
The above are the four tender stories that the director gave us. It's neither absurd nor exaggerated, it just can't be realistic anymore. As for the killer, he is the thread that connects the four stories. Yoko asked the killer to kill her boyfriend, and Ashin asked the killer to kill his wife. The killer killed Yoko's boyfriend, so that his father could not go back after turning into a bird; the killer killed Ashin's wife, and finally made Ashin jump off the building to die in love; the youngest son comforted his father who turned into a bird and helped him learn to fly; The father who learned to fly rescued Ashin who jumped off the building and took Ashin to fly in the sky; Yoko killed her boyfriend and lost the treasure recorder. When she saw the flying father, she felt that nothing was a big deal. The killer went to a small health care to relax after killing, and inadvertently led to a beautiful marriage.
The only thing where the director is arrogant is that he kept asking the characters in the play through the mouth of the killer, and also asked every audience member: What is your mission? If life should have a certain meaning, if everyone's existence has its value, then what is your mission? What do you live for?
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