Bazin wrote the theory of long shots, he probably didn't think about how a shot would be used in just a few decades. From Russian Ark to Birdman to Victoria V, audience substitution and virtual reality are brought to the extreme, but they are everywhere. The camera also makes us always realize that we are the viewers. The boundary between virtual and reality is broken. What is
also broken is that as the plot deepens, the identification of the protagonist is set in a situation that is almost the height of ancient Greek tragedy
. Yes, this is a volume of a tragic girl. It's accidental, but maybe it's her decades of loneliness and repression behind it, and all these emotions are only revealed at the moment when she plays the piano in the cafe. It's just two minutes to the end. It's not sensational, but it's done for all the actions of the girl. A credible foreshadowing When they ran out of money and went out to the bar to party until the real time was stopped, we were also pulled away from reality by the camera. Together with a few protagonists, the carnival was upgraded. The photography made us happy and moved, and subconsciously hoped that sonne and victoria could be divided Money fell in love, but when this beautiful friendship was just established, the plot took a turn for the worse, the beauty was shattered, the tension and the sense of substitution made people breathless step by step
, do you agree with the law or Victoria? Obviously the lines of law and morality are blurred as well but the camera is neutral neither surreal like Natural Born Killers nor brutal like Bonnie Clyde the camera is neutral and coldly humorous victoria almost emotionally and without hesitation completes the ending All the great principles before but the ending was so chilling victoria took the money and left no one knew who she was everything could be as if it never happened and only the camera and us saw it
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