Bruce Lee probably likes shallow focus lenses. Whether it's a Roman street scene or a climax fight, he uses a shallow focus or even a fisheye lens to show it. What's interesting is that, among the many shallow focus, the cat in the Colosseum was photographed with a small depth of field with a blurred background, and the cat's state ran through the entire climactic duel. In addition to shallow focus and zoom push-pull, the director also likes to use a subjective perspective to present hitting and being hit. The unique and shocking perspective is also worth mentioning.
The story is really simple, and the shaping of the villain is really simple. In the 80S, a gangster who can get things done with a few guns is like a cat and a mouse. In the end, the appearance of the old ghost had no dramatic thrust. The only thing that can be grasped is the implicit and hazy love between the man and the woman, which is a simple echo of the story.
View more about The Way of the Dragon reviews
