poetic images, slow action shots and soundtracks. and tongue-in-cheek English lines. I suddenly felt that it had the same effect as Hou Hsiao-hsien's Nie Yinniang this year. The same picturesque, the same ancient cultural lines. The same soundtrack is concise and clear, and it is also pleasing to the eye. Everyone has a different Macbeth and a different Shakespeare. I can’t agree that others understand this tragic story like me, but from the director’s frame A frame as beautiful as the ultimate aesthetics. More emphasis is placed on feeling, and the sense of picture is used to stimulate people's inner depth to understand this warrior who is worshipped by everyone and slowly transformed into a tyrant who is despised by everyone. With the sweet and concise soundtrack to deepen the impression and understanding, he did not let you and me introduce how this sad character was born from the plot. Rather, it tells the story from the bottom of my heart.
What caused this tragedy? Let's think of Macbeth as a person, for better or worse. ordinary people. Without heirs, he was heroic and good at fighting and led the soldiers to raid and fight to win the most crucial war, and was worshipped by people. I regard meeting the witch prophecy as a deep desire in his heart. When a person's vitality becomes more and more powerful, it will inevitably stimulate the desire in his heart that is equivalent to this vitality. As he struggled to kill his enemies to be worshipped, he naturally had a stronger and stronger desire, and the witch prophecy that appeared at this time further strengthened his desire. Or to verify his idea, but the witch also pokes the pain in his heart and that is the heir. I think this part comes from the shackles of his inner morality or the entanglement and response of reason. In my opinion, this is all the pull of his inner desire and vitality, as well as the moral bottom line. The witch's prophecy and the seduction of his wife deepen and strengthen his desire step by step. So he killed the king, but the moral bottom line in his heart did not dissipate. When the desire is satisfied, morality begins to prevail, making him constantly repent in nightmares and pains, fear and even hallucinations. This is the pull of the inner self extending to the outside of the self. He is even afraid of another prophecy, that Banquo’s son will really sit on the throne, so when morality pulls at the same time, the fear brought by desire also gradually follows. Come. The satisfaction of his desire once again inspired him to kill the former general's child, but the child ran away, and the death of the general made the strings in his heart shatter, (killing his brother and his friends on the battlefield) He needed further comfort He calmed himself down, and then fantasized that the witch once again predicted that he was immortal, and that every child born to a mother could not kill him. He's mad, fearless, and subconsciously thinks those who oppose him are damned in his way. Until at last the king's son brought his troops and killed him.
This tragedy is the sadness in our own hearts, when a success or a temporary victory produces a strong vitality and an accompanying desire. But everyone's human moral bottom line is the self-war and self-resistance that has not been increased. When the desire and vitality become stronger and stronger, we start to no longer satisfy the ego and start to constantly need the pleasure that can be matched, even without any persuasion from others. When the bottom line rebounds more slowly erodes and burns you and me, it collapses.
Macbeth could not afford to lose to the witch or to the war. When he began to choose to enter the king's residence with a fierce blade, he lost. He lost to his own moral bottom line, and he lost to everyone, including You and I are both born with the same bottom-line kindness that is lost to the additional desire in that vitality. This is the tragedy of all mankind since its birth. These are the four tragedies. true tragedy.
With the beautiful scenes, the soundtrack, and the deep contact with the story until the final ending, I realized that the director's good intentions are more philosophical and full, and Fa Shark's acting skills are not inferior to any actors nominated for Oscar. The sense of picture is the same. Worth watching alone.
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