There is no right or wrong, just different angles

Modesto 2022-03-24 09:03:30

Before watching, I read the interview of the main creator. I asked about the viewing order. The answer is that there is no order. The feeling I get is different depending on my mood and angle

. As me, I chose my viewing order her him them. The

reason why I chose her first Mainly because I think that I am a girl. In love, her is my first point of view. After watching her, I can jump out and see if the same thing will be different from the other person's point of view. I started with this attitude and I

have to say The angle presented by her is too depressing and the scenes of life are very fragmented. The heroine herself is often speechless and not good at expressing the people around her. She is afraid of touching landmines, but she is cautious in her words and deeds. Chaos even felt that the heroine was overly immersed in grief, which caused her marriage to go to a low point. From the beginning to the end, the film did not explain how their son died, but it was obviously not the fault of the hero. The hero is also very repressed. Restraining the pain of bereavement, on the one hand, he wanted to pull his wife out of his grief, but it was counterproductive. The wife thought "why can he have a happy lunch soon" (can't remember exactly what it meant) and thus I feel that the distance between the two is getting farther and farther. From his perspective, it is very passive. It is obvious that the male protagonist loves the female protagonist very much. After experiencing the pain of bereavement, his wife does not want to communicate with him or even disappears directly. He seems very helpless but still While walking with his wife, the heroine turned back to find him and disappeared. He passively circled around her. As a bystander, I would feel that the heroine was hypocritical, but I felt that I could understand the heroine

. The short comment is that there is no difference between the collages from different angles. I don’t agree because I saw the difference and I think it is more important, but I am not sure if what the director wants to express is just a personal opinion.

I said 3 differences that I think are more important. The

angle is poor. 1: After the heroine disappeared for a while, she began to miss the hero, so she went to the restaurant to find him and made a promise to rent a car when she was in love.
When the two were trapped in the car by the torrential rain, the atmosphere began to be intimate. The difference appeared. In her, the heroine took the initiative to climb into the driver's seat. The hero was hesitant. The heroine immediately alerted "you slept with someone else?" to , you left" [If the male protagonist wasn't Zhan Yimei, I would have jumped up and yelled at me for cheating on the scumbag? Haha] And in him, the male protagonist climbed into the passenger seat and took the initiative to confess "i slept with someone else I'm sorry" but the female protagonist was brave "it doesn't matter" The male protagonist thinks that I have cheated on me, you actually said It doesn't matter that you don't love me, so you get angry.

The difference is so big. Can't it express something?

Angle difference 2: The male protagonist was tired from moving house and slept on the sofa and woke up to find that the two of them were chatting and making out. Afterwards, they were on the carpet. In him, the heroine said "i love you" and the hero replied "i know",

so the big difference still doesn't explain the problem?

Angle difference 3: At the end of the film, the heroine follows the hero and keeps walking. In her, the heroine finally stops the hero, "hey!" The Lord just keeps walking in tandem and disappearing at the end of the road.

Isn't the director trying to express something from these differences?

I actually can't make it clear. Then I read them. I think maybe they can be more objective and can tell the truth. What is the angle difference in them. 1 is the version of him. The angle is poor. !

In fact, we all know that memories are not a very reliable thing. Many times the things we miss will repair it and make it better. The things we hate will also have a way to make it look more hateful than the truth. So men are from Mars women From Venus? Men are more rational and women are more emotional?

I seem to have seen all kinds of bloody love advice posts again, and the

woman said, "He's too much, I'm in such pain, he doesn't understand at all, why should I do it? I don't understand me at all. I took the initiative to find him and he cheated!! But I still love him, but I need to be calm and calm. I also know that he still loves me. After a period of rest, I recovered, so I went to find him." The

man said, "I am also very sad that my son died, but Life still has to go on, we can't keep hugging and crying and seeing her so sad I really want her to be happy again, but she just ignores me, what should I do? I love her so much that she wants to break up with me. I had an affair and then she disappeared... I accidentally got out with my colleague and regretted that she came to me. I took the initiative to confess, but she actually said that it's okay. I rely on my attitude to be so cold and unscientific. She must still love me. I 'll wait for her all the time."

Don't laugh at my brain hole, my understanding should only stay at a relatively superficial level, but I believe that the director did not accidentally make such a difference, it must be intentional, and he must want to express something through this Idea as to what life is deduced separately. .

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Extended Reading

The Disappearance of Eleanor Rigby: Him quotes

  • Conor Ludlow: I, uh, forfeited the loan the bank gave me, I'm losing the lease on my bar... Eleanor's gone... with the fucking wind. I'm 33 years old, and my life's a fucking boat wreck.

    Spencer Ludlow: I'm in my 60s. I lost a grandson this year that I'm basically forbidden to talk about, my third wife just walked out on me, and I come here every afternoon to this restaurant named after your mother.

  • Eleanor Rigby: I love you.

    Conor Ludlow: I know.